Mas emo que el viento

FUN

Oye Dan, Invalids y the Invalids no son lo mismo no? Escuchando en Spoti me ha ido bajando hasta empezar el disco de los segundos y he flipado, pensaba que no podrian haber cambiado tanto, ahora veo que se han liado, lo han puesto junto en la misma página, pero deben ser dos grupos diferentes o eso dice RYM, y por cierto, los otros también son cojonudos, Punk rollo californiano muy guapo.

Dan Hoerner

Pues tío yo creo que se les ha ido a los de Spoti, el grupo se llama Invalids : http://invalids.bandcamp.com/ sin el "The" delante, a los otros ni putis pero ya que comentas vamos a darle un tiento.
Estoy muy onfire con el puto grupo, me jode que se quede en este hilo porque creo que hay mucha gente por ahí que lo disfrutaría, esas guitarras tan nerviosas, propias del math, que en la maraña y el lío de cables dejan entrever una melodía de fondo.
Me llama mucho la atención como se ha gestado el disco, estos dos no se han visto en la vida y han ido compartiendo lineas de guitarra e ideas por mail hasta terminar este disco.
Ursine Valor es un temazalísimo : (at 140bpm) : http://invalids.bandcamp.com/track/ursi ... -at-140bpm

También han colgado el disco sin voces : invalids.bandcamp.com/album/eunoia-instrumental-version

Y mirad que majos :

I (Pete) started writing these songs after hearing Maps and Atlases' "Every Place Is a House" for the first time. I was so blown away and enamored of the guitar technique that I had to figure out how it was done. That was some time in 2008. The first demo recordings were done at my mom's house in New Jersey back in 2009.

I met Nick (bassist) through an online forum of musicians many years ago. He asked if he could take a shot at the basslines in the demos, which, at that time, were done synthetically through VST (the bass parts were too hard for me to play myself). I said sure, what the heck, let's try it out. He sent me the first track, "And Was It Worth It in the End?", and I was really (REALLY) impressed, especially because he was like 18 at the time.

Since then I've been writing the bass lines with him in mind; I tab everything out in a tablature program (including bass and drums), send him the files, he adds his bassist touch, and records it and sends it back.

We've never actually met in real life. He lives in Pennsylvania, I lived in Oregon when we made this. I now live in New Jersey.

Fun Facts:

No picks were used in the making of this album.

All guitars are in open tuning (example, low to high, open E: E B E Ab B E). Bass is in standard tuning

Ursine Valor is the only song in which both guitar tracks do not use the same capo placement (left guitar capo 5 in open E; right guitar none, detuned to open D). The bass on Ursine Valor is detuned to D-standard.

Every song has some sort of allusion or Easter egg referencing another song, be it from popular music or from friends of mine.

We are nice and approachable and will teach you how to play the songs if you want; i.e. -> TABS (www.tabit.net/tabs/list.php?f=5655); everything is tabbed using a wonderful program called Tabit, which is needed to open the files in the link above. Get Tabit, know our secrets.

Thanks for listening!

FUN

Joder, que curioso e interesante al mismo tiempo, parece mentira que haciéndolo así les haya podido salir un disco tan cojonudo.

estatvegetal

Traigo un par de post-hardcore chungo, nengks:

Funeral for a Friend - Conduit [Distiller] (2013) 320kbps

ø Review en castellano. ø

http://uploaded.net/file/yxefho8p

–------------------------------------------------------------------------------------------------------------------

The Story So Far – What You Don't See [Pure Noise] (2013) 160kbps

http://uploaded.net/file/9vnixyyg
http://rapidgator.net/file/5dceb76d4830dd46f7a5261a863b36d2/
```@187gdq3x:

> We’re very excited to announce that we’ll be releasing The Story So Far‘s What You Don’t See **on March 26, 2013**. The album was produced by Steven Klein and engineered by long time friend Sam Pura at The Panda Studios.

A ver si alguno de ustedes lo encuentra en mejor calidad cuando salga, por favor. Ese rip hace ya más de 1 mes que circula por la red.

Los residentes en Londres podrán verlos a finales de abril.

Dan Hoerner

Gracias Estat, el primero ya lo había escuchado, los he visto varias veces por aquí, llevan ya la tira de años.
A The Story so Far no los tengo muy controlados, pero creo que caen más del lado del pop-punk, un género que Bruce Billis adora, siempre le pillo en el coche intentando colarme a New Found Glory y a Saves The Day, kikiki.

Edito : habría posibilidad querido Estat que me pasaras el de FFAF en un mega/mediafire, uploaded is shit here.

watusi

Dan, el de Funeral…
http://www.bunalti.com/?p=253976

Ojo que tiene pass. En la pagina la dice.

Dan Hoerner

http://isthisthingonblog.com/2012/04/25 ... t-10-10-1/

FUN

Descubrimiento de lo que va de año por mi parte para el que guste, el disco es de 2011:
Post Rock cantando, Emo, etc.

http://www.mediafire.com/?t23yvuky2n7oolp

Dan Hoerner

Estos pavos lo van a petar, y si no al tiempo :

All I Do is Regret the Fact That I Left by Disembarked(2013)

http://www19.zippyshare.com/v/56896034/file.html

watusi

Pide pass, dan

Edit, don't worry. Ya encontré otro sin pass:

http://www50.zippyshare.com/v/79333436/file.html

estatvegetal

Gracias por los últimos aportes, ahora os vengo a dejar 2 discos sin edición que se publicaron este año y no aparecieron por aquí, el nuevo de los belgas Reiziger y el de los estadunidenses 1994!, ambos discos no encajarían muy bien en este hilo si no se tiene en cuenta el resto de su discografías.

Reiziger - Kodiak Station

@4bgs6ro3:

Brand new full-length by REIZIGER after almost 10 years. They stopped when the term "emo" was getting popular and messy. It's okay again. KODIAK STATION is absolutely more "mature" post rock sounding in 2013, but references to 90s bands like Bob Tilton etc are never far off…

http://reiziger.bandcamp.com/album/kodiak-station

http://www7.zippyshare.com/v/57823870/file.html

–-----------------------------------------------------------------------

1994! - Fuck It

@4bgs6ro3:

This album was recorded during the tail end of January 2013 in London, Manchester, Sheffield, and Brussels. We recorded it ourselves using an iphone and a shitty, knock off sm58. It is intended to work as one piece of music, not as separate tracks. There are no plans for a physical release as of yet. Thank you for listening.

for maximum audio enjoyment don't listen to this on your shitty macbook speakers

http://1994withanexclamationpoint.bandcamp.com/album/fuck-it

http://www7.zippyshare.com/v/22584977/file.html

FUN

La madre de todos los bolos para alguien que siga este hilo, no se lo que pagaria yo por tener este concierto aquí, 4 grupazos de la hostia y porque el 5o no lo conozco.

https://www.facebook.com/events/467115963344350/

intheclouds Records are celebrating their 2 year anniversary by throwing an awesome show featuring:

Penfold

"Penfold’s official date of inception is unknown. The four members began playing music together sometime in the early nineties but the entity known as penfold emerged some time in 1996 or 1997.

The natural course of live performances soon ensued and the band began to build a small following. After playing music together for over 10 years, 3 record releases (1997’s “your eyes have all the answers” 7 inch, 1998’s “amateurs and professionals” CDEP, and 2001’s “our first taste of escape” LP) and hundreds of live shows, in March of 2003 penfold decided to call it a day."

http://www.penfoldband.com/

Athletics

Who You Are Is Not Enough vinyl record release show!

https://www.facebook.com/AthleticsMusic

Owel

Self Titled album release show!

"a quintet from new york and new jersey."

http://owelmusic.com/

Gates

The Sun Will Rise and Lead Me Home / You Are All You Have Left To Fear - free downloads available @ http://gatesnj.com/download

https://www.facebook.com/gatesnj

Vasudeva

https://www.facebook.com/VasudevaMusic

FUN

Hoy he descubierto un grupo nuevo, que me ha alucinado, del excantante de los dioses Elliot, Frontier(s) se llama, para el que no lo conozca y le molen Elliott, parecido pero con más trallazos guitarreros, las voces las mismas claro, acojonante, nose si me gustan mas que los propios Elliott incluso.

http://d01.megashares.com/index.php?d01=5caD31p

calltheranger

no estan mal, fun, pero ya cualquier cosa que haga chris higdon va a palidecer ante una obra del calado de false cathedrals. es lo que tiene tocar la cima tan pronto.

dan, aqui tienes el debut de brave bird a wena calituqui. apunta maneras para alzarse con el galardon de disco emo del anyo™.

brave bird / maybe you, no one else worth it (count your lucky stars, 2013)

► listen | ▼ download

@yfofy1m4:

At last, the debut LP of Ann Arbor's favorite sons. Mix the best of that turn of the century flavored indie-rock a la Brand New and the slightly newer tapping skills of bands like Minus the Bear with the current emo-style tearing up the house show scene akin to such bands as Algernon Cadwallader and the Reptilian, and voila- Brave Bird! These guys are the best at what they do, plain and simple. 10 stunning tracks in hi-fidelity album on one LP to start your 2013 right.

http://countyourluckystars.bigcartel.com/product/brave-bird-maybe-you-no-one-else-worth-it-lp

y aqui un video de los chavalicos tocando en una tienda de discos: Brave Bird performing "Tired Enough" at Embassy Vinyl in Scranton, PA on 8/29/12 no veas como toca la guitarra el chinasqui. la madre que lo pario!

@Dan:

A The Story so Far no los tengo muy controlados, pero creo que caen más del lado del pop-punk, un género que Bruce Billis adora, siempre le pillo en el coche intentando colarme a New Found Glory y a Saves The Day, kikiki.

miralo que perro, mancillando mi honor a la que me doy la vuelta. pues que sepa todo el mundo ahora mismo la turra que me das siempre con fall out boy cada vez que vamos en tu carro. y esto no puedes negarlo, jej

Dan Hoerner

qué cabrón.pero gracias por el disco chato.

FUN

Gracias por el disco Bruce, además a estos no los controlaba y CYLS siempre es garantia, el otro dia les hice un pedido, una camiseta para el Primavera y el vinilo de YPOFH para regalarle a Pulpo.

Si, Bruce, como False Cathedrals nada, está claro.

estatvegetal

Historia, charts, organigramas…

http://images.wikia.com/4chanmusic/images/6/69/Mucoreemo.jpg

http://images.wikia.com/4chanmusic/images/5/56/Emo_Chart.jpg

http://images.wikia.com/4chanmusic/images/d/db/Mucorescreamo.jpg

http://images.wikia.com/4chanmusic/images/f/fd/Emo%26screamo.png

Dan Hoerner

Cremita pop

Turnover - Magnolia (2013)

Download```
http://www3.zippyshare.com/v/96893903/file.html


[http://turnover.bandcamp.com/](http://turnover.bandcamp.com/)

![](http://media.tumblr.com/157974a39ef2305bd4d1fa90a93763ee/tumblr_inline_mizorfkqlw1qz4rgp.jpg)

FUN

Dan, Bruce, Estat y demás, llevo todo el dia casi soltando lagrimas con un grupo que me descubrieron el Sábado que se llama Camber, igual es que me he flipado demasiado, pero algo más de este rollo? que tienen solo 3 discos y los voy a quemar en dos dias lo veo…. Y si alguien tuviera ya el Beatifuel charade de los mismos para descargar ya seria la hostia, que solo está en Spoti y no doy con ningun Link....

Dan Hoerner

Camber ‎– Beautiful Charade (1997)

On their critically-acclaimed debut Beautiful Charade, Camber translates the desperation of an empty, lost soul into surprising thought and beauty in music. It's a delicate display on the art of dynamics that will leave you speechless. Driving, distorted guitars, tortured vocals and painfully-resigned introspection to the edge, with an incredible wrist-slitting vocal style. Raging when asked, consoling when necessary, Beautiful Charade is like a good friend in the time of need. Unreleased song "Sunday Brown & Green" on Emo Diaries 1. The first CD ever released by Deep Elm. (DER-359)
Deep Elm Records

"In a world that keeps getting more and more crowded, Camber finds room to breathe on "Beautiful Charade." With their high-rise vocal harmonies, satisfying guitar textures, and down-low rhythms, the NYC foursome carves out a place with space. On "First," vocalist Barry Lott sings of bittersweet understanding, while the band runs a patient race with tension and gritty guitar lightness. Always careful to betray your expectations, they surf a smooth wave of hope and frustration, then tie it in a knot with tricky rhythms and disorienting downturns."
Alternative Press

"Somewhere between Sunny Day Real Estate and The Promise Ring, however many inches that might be, sits Camber, boldly taking a seat and claiming their place in the emo-core all-American line-up. Carving out an identity amongst such close company would seem almost impossible, but Camber has met the challenge and recorded a beautifully original record."
PillowFight

"Beautiful Charade finds Camber driving distorted guitars, dirgy tempos, tortured vocals and painfully-resigned introspection to the edge. Although the band gazes down over the ledge, it never quite jumps. Perhaps the line 'I'm burning, so clean' best describes Camber's particular brand of angst. What sets this band apart is the incredible vocal style. It is wrist-slitting. Even those who are lukewarm about emo-core need to check out Beautiful Charade. Camber are one of the best bands ever to work in the genre…"
Seattle Rocket

"Both melancholic and uplifting, one minute tugging at your heart-strings and the next pushing your heart out of your chest with sheer feel-good exuberance. Vocals that touch you deep inside and harmonies that make you good to feel alive."
Fracture

"Camber does such a fine job crafting emo-core where planning and painstaking effort are the key. The songs are gorgeous and there's not a hair out of place."
Aiding And Abetting

"Camber wears its repressed rage like a badge of honor...gritty and sweetly despairing."
Alter World

"The power on Beautiful Charade comes from Camber's ability to write effective and not so simple rock songs. Engaging songwriting and performance."
Magnet

"Camber has mastered the delicate art of dynamics that is so central to emo-ness. The first track 'Hollowed-Out' has one of those euphoria-inducing choruses."
SnackCake

"Beautiful Charade is downright genius. Rock and roll with feeling, which is something we don't see much anymore."
Pitchfork

"Camber roll blissfully around with depth of feeling, the music is wonderfully crafted. Put your feet up and let them ease your woes. No one can deny the quartet's thoughtful, sensitive prowess."
Kerrang!

"The melodies are lifting in the verses and build tension toward intense choruses. At other times the textures are more subtle with an air of dreamy despair. Always cleverly crafted, never boring, and never a shortage of melodic hooks."
Skratch
"Often illuminating and seldom predictable, Camber's resonating, emo-core blends post-grunge aggression with blustery melodicism. Expansive arrangements are turned upside down and inside out without losing the flow of the song at hand. Vocalist Barry Lott teeters at the edge of a nervous breakdown, sometimes emoting with the same urgency and determination Bono once did during his early U2 days. Lott's dramatic wails linger alongside dissonant guitars, raucous drums, and vibrating sonic textures."
Aquarian Weekly

Are you a New Yorker? Or the type that disparages this fine city, when I know you are secretly jealous of us lucky, lucky, lucky people? (Hey ex-Mayor Koch! How'm I doin'?) If you loved music in the mid-'70s, New Yawk was the place to be. At Max's Kansas City or CBGB, little bands turned into legends: New York Dolls to Heartbreakers, Patti Smith, Talking Heads, Ramones, Television, Blondie, Cramps, yadda yadda f***ing yadda. Maybe this ole town hasn't produced such a golden crop since, but creative sounds have always emanated, and recent years have been the best in a decade. Inspired rockers Lotion, East River Pipe, Madder Rose, Versus, Ivy, and Guv'ner are now national items, but there's another post-punk bumper crop below them awaiting their due. Among them are French, Saturnine, Ditch Croaker, and this group, Camber. With a wired, heavy, smacking sound, Camber has made strides from early gigs and the foursome's Hollowed Out 7". Gotta love their fiery fury and controlled desperation. The guitars of Corby Caldwell and Barry Lott warp with chiming discomfort, as the bass and drums pound like doomsday. Yet, like French (only heavier), Lott's melodic, thick singing belies the ton of bricks bursting behind. The result is a post-grunge wall of sound, and soft to heavy tension pounding not for the timid! Perfect for a wound-up town.
Jack Rabid
allmusic.com

"Emo" has become a filthy word. You might as well go round talking about "God". But this is an emo record if you want to take that term as having a validity to it. Whatever this mass-culture emo-term has become is nothing to do with any of this, just to be clear. All that shit started when the guy in AFI wore some makeup and they released Black Sails.
Anyway, this is a proper 90s emo record where you have the jangling guitars with skethcy riffs and some guy whining on about how he feels. It's up there with the best records from that era - it has real nice songs to it and some soaring pieces and clever riffs. It sounds heartfelt and not some mass-produced shit. Basically they nailed it before all those shitty bands came out to denigrate the good name of emo.
hardrainsgonnafall.com

http://rusfolder.com/35677065

password: thelastwordisrejoice

:wink: