Filtraciones '13

moldy

Villagers – {Awayland} (2013)

http://ul.to/16k2204j

calltheranger

pere ubu / lady from shanghai (fire, 2013)

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@18zjlps0:

Smash the Hegemony of Dance. Stand still. Pere Ubu return with their first new studio album for over three years in January 2013, the thirty-fifth anniversary of the group's debut (The Modern Dance). Lady From Shanghai is to be released on new label Fire Records (home to Guided by Voices, Mission of Burma, Giant Sand, Bailterspace, Josephine Foster and many others). The album ushers in a new era in the history of Pere Ubu, with David Thomas and band continuing to provoke and shock listeners, further establishing them as one of the most innovative, progressive and important bands of all time.
Lady from Shanghai is an album of dance music - it is the Ubu Dance Party.
"The dancer is the puppet of the dance," says singer David Thomas. "It's long past time somebody puts an end to this abomination. Lady From Shanghai has fixed the problem.

http://www.firerecords.com/site/index.php?page=release&releaseid=00000000974

Marniello

**Wooden Wand
Blood Oaths of the New Blues
**

http://www.crocko.com/8D7E0DB486CF4280897758A5948652EE/Wooden_Wand_-_Blood_Oaths_Of_The_New_Blues__282012_29__5BMP3_5D_CR_73585.rar

Bastante bueno. Country-rock-blues, tirando a intimista, algo oscurote, de cocción lenta.

Una muestra: http://soundcloud.com/firerecords/06-wo ... d-southern

moldy

Ed Harcourt - Back into The Woods [2013]

http://uploaded.net/file/xfks94f4

Jailbait

menudo viernes, gracias por el de Villagers!

wolfcatala

@moldy:3ufbuzc3:

Unknown Mortal Orchestra – II (2012)

http://uploaded.net/file/69ujbmq0/www.NewAlbumReleases.net_Unknown%20Mortal%20Orchestra%20-%20II%20%282012%29.rar

Si esta a 192 y se oye asi de mal es que es asi, no?

alias

lobo, el disco está grabado en un ocho pistas con cassette.

poppie

¿Guadalupe Plata alguien?

moldy

Night Beds – Country Sleep (2013)

@d15qbgc7:

Released early next year on Dead Oceans (home to Bill Fay, Phosphorescent and Tallest Man on Earth), Country Sleep is classic Americana with pedal steel and strings, somehow sparse yet lush, light orchestration used to highlight the protagonist's (Yellen's?) feelings of isolation and torment. It's a little bit rustic, a little bit symphonic, not remotely chillwave, even if waves of chill regularly make up the atmosphere in the songs. On a track called Cherry Blossoms, Yellen sings of feeling a "cold wind blowing" through his window, worsening his already bad moon. "I can't take this no more," he sings, nearing the end of his tether. "In my mirror I watch myself cry." The album is steeped in wintry desolation – on the sleeve he can be seen rubbing his hands together and smoking to keep warm, hunched against a windy backdrop. Fans of Fleet Foxes and My Morning Jacket at their dreamiest will be in heaven.

http://ul.to/3kg0ojux

calltheranger

atencion chavales que hoy traigo el carro lleno! de momento solo he catado entero el de l. pierre aka aidan moffat dando rienda suelta a su creatividad y es buenisimo. now listen!

l. pierre / the island come true (melodic, 2013) *

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@2rau3s44:

Across his many projects past and present, it’s under the moniker of L. Pierre that Aidan Moffat has perhaps best opened up the bare bones of his thirst for sonic exploration. The Island Come True is Moffat’s fourth album as L. Pierre and is a work assembled from the vast cavern of his assembled field recordings and samples, a collage that works as a sonic patchwork of the 39 year-old’s own mind. A popular lyrical raconteur whether as one half of Arab Strap, writing under his own name or when collaborating with Bill Wells - as on last year’s Scottish Album Of The Year award winner Everything’s Getting Older - it’s as this carnation where the true extent of his musical eclecticism is revealed.
As such, the album is as a dreamscape, with fragments of classical works, drum samples, instructional speeches and, in a link back to his last album, recordings of nature. Electronics elements previously employed on past albums have been discarded, the album in its entirety consisting only of these found sounds.

http://www.melodic.co.uk/theislandcometrue/

mystical weapons / mystical weapons (chimera, 2013) *

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@2rau3s44:

Welcome to the debut album by Mystical Weapons, a wild improvisational duo ride through terra incognita, helmed by multi-instrumentalists Sean Lennon (The Ghost of a Saber Tooth Tiger) and Greg Saunier (Deerfhoof). Mystical Weapons is one of those projects that evolved almost of its own accord. A couple of years ago the Plastic Ono Band was playing a show in San Francisco with Deerhoof. The GOASTT was doing a club date the next day, so Sean asked Greg if he’d like to form an ad hoc duo to open the show. Bam. That was it. And it worked so well, they were both hungry for more.

http://chimeramusic.com/mysticalweapons.html#top

dutch uncles / out of touch in the wild (memphis industries, 2013) *

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@2rau3s44:

isn’t it great to see a young band growing the old fashioned way? three albums into their career, manchester’s dutch uncles, a group who pitched their tents firmly in pop’s leftfield with their eponymous first album before releasing memphis industries debut cadenza in 2011, have made another huge step forward with their forthcoming album out of touch in the wild.
there’s been no great reinvention, just great progress: this is a refined version of dutch uncles doing what they do best: making labyrinthine pop of escher-like complexity and crystal clarity. unlike previous outings, out of touch in the wild was written and conceived as a full ‘studio’ album, allowing for greater creative freedom, more sophisticated arrangements and a much larger sonic palette, seeing them utilise strings, piano, analogue synths and tuned percussion more so than guitars. the band’s underlying influences remain but this time around see’s kate bush, igor stravinsky, japan, prince and neu! all intriguingly thrown into the mix.

http://www.memphis-industries.com/release/dutch-uncles-out-of-touch-in-the-wild/

shugo tokumaru / in focus? (polyvinyl, 2013) *

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@2rau3s44:

For the first half of 2012, Shugo Tokumaru locked himself inside his home studio while working on In Focus?, often forgetting to eat and sleep for long stretches of time while crafting the record's 15 songs – each of which contains an average of 20 instruments and hundreds of recorded parts that are meticulously mixed together to create a single, cohesive track.
As a result of this extreme care and attention to detail, In Focus? -- despite its title -- represents the clearest manifestation of Tokumaru's multifaceted musical vision to date.
From slow building album opener "Circle"'s perfect transition into standout track "Katachi," to lead single "Decorate" and the beautifully delicate acoustic ballad "Tightrope," it's clear that Tokumaru has again succeeded in writing universal melodies while singing in his native Japanese.

http://www.polyvinylrecords.com/store/index.php?id=2300

parquet courts / light up gold (what's your rupture, 2013) *

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@2rau3s44:

Little was said about Parquet Courts' debut effort, American Specialties. Released exclusively on cassette tape, the quasi-album was an odd collection of 4 track recordings that left those who were paying attention wanting more. A year of woodshedding live sets passed before the Courts committed another song to tape. The band's first proper LP, Light Up Gold, is a dynamic and diverse foray into the back alleys of the American DIY underground. Bright guitars swirl serpentine over looping, groovy post-punk bass lines and drums that border on robotic precision. While the initial rawness of the band's early output remains, the songwriting has gracefully evolved. Primary wordsmiths A. Savage and Austin Brown combine for a dynamic lyrical experience, one part an erudite overflow of ideas, the other an exercise in laid-back observation. Lyrically dense, the poetry is in how it flows along with the melody, often times as locked-in as the rhythm section.

http://whatsyourrupture.bigcartel.com/product/parquet-courts-light-up-gold

blue hawaii / untogether (arbustus, 2013) *

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@2rau3s44:

The Canadian duo, made up of mysterious characters "Agor" and "Raph," have been recording together for a few years. They released an eight-track EP in 2010 on small Montreal label Arbutus, which also put out Grimes' well-received Visions album earlier this year, and the same imprint will be responsible for their full-length as well.
Untogether is named for the duo's recording process—the album was written separately and then recorded over the course of the year across Canada. It sees the dreamy duo tightening and polishing their sound, heading into more pop-friendly territory. Ra also moonlights in Canadian band Braids, while Agor reportedly spent time in Europe, immersing himself in dance music and electronic production.

http://arbutusrecords.com/?page_id=34

indians / somewhere else (4ad, 2013) *

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@2rau3s44:

Indians, the musical alter ego of Copenhagen resident Søren Løkke Juul, have signed to 4AD worldwide. While Indians only played their first concert in their hometown in February 2012 and self-released their debut single in April, they’ve already garnered enough attention to perform shows across Europe and in North America, playing shows with the likes of Beirut, Bear In Heaven, Lower Dens, Weird Dreams and Retribution Gospel Choir over this Summer.

http://www.4ad.com/releases/21710

Rumano

Buenas!! Algún link por ahí del nuevo de Retribution Gospel Choir?? Sería perfecto para aguantar el diluvio que está cayendo ;P

Pelukini

El de parquet courts creo que es del 2012, de todos modos discazo

moldy

Aquí puede descargarse lo nuevo de Four Tet, 0181, colgado por él mismo.

http://soundcloud.com/four-tet/0181-1

calltheranger

nunca pense que los de deep elm volverian a editar nada decente desde que en aquel lejano 2004 nuestros caminos se separaron pero con este discazo de postrock cinematico que acaban de sacar no puedo hacer otra cosa que volver a postrarme a sus pies. cortesia de maese dan hoerner que me lo ha descubierto hace unas horas. gracias le doy. recomiendo leer la promo de mas abajo antes de darle al play y salir volando.

lights & motion / reanimation (deep elm, 2013)

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@2yfdbvtg:

One word: Epic. That's the most succinct way to describe the stunning instrumental debut by cinematic post-rock powerhouse LIGHTS & MOTION. The band's braintrust, 24 year old self-taught multi-instrumentalist, songwriter, producer, engineer, mixer and all around musical savant Christoffer Franzen, created and composed every song in real-time during late night insomnia sessions through pure accident, improvisation and inspiration. And the result? More than you could have ever hoped for. Reanimation is pure, sweeping, musically-animated emotion: modern yet classic, bold yet restrained, grandiose yet humble, storming yet tranquil, swerving yet linear…and you are completely surrounded in the sincerity, the ecstasy, the illumination of it all. Every song is deeply intimate yet so massively majestic, culminating in a timeless album that is seemingly created from the same stuff dreams are made of. Reanimation is sure to be acknowledged as one of the best and most important post-rock albums ever made. "If this was the last album we ever released on Deep Elm, I would consider our 18 year mission an overwhelming success" says label founder John Szuch.

http://www.deepelm.com/546/

alrom

@Pelukini:nrnafl2z:

El de parquet courts creo que es del 2012, de todos modos discazo

I agree, muy recomendable.

moldy

Everything Everything – Arc (2013)

http://rapidgator.net/file/70296466/Arc2013.rar.html

Rumano

Brokeback - Brokeback and the Black Rock

Proyecto paralelo del bajista (entre otras cosas) de Tortoise, Douglas McCombs.

http://uploaded.net/file/udco4kgd

calltheranger

me da que algunos le teniais bastantes ganas a este. la portada es preciosa!

tomahawk / oddfellows (ipecac, 2013)

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@p4x115us:

Tomahawk is back!
Where were they? What were they doing? Is this a reunion? Who are they now? What’s next?
So many questions. Here are those answers and more!
Tomahawk took a break to discover the many truths of the universe. They also uncovered several non truths. They were primarily holed up in a special place similar to the many caves in the mountains of Appalachia. They found time to create the new tunes that make up their new record “Oddfellows” that will be released worldwide in January 2013 on Ipecac Recordings.
This is not a reunion….unless that means they will make more money.
Tomahawk is Duane Denison (the Jesus Lizard, Unsemble, etc), Mike Patton (Faith No More, Fantômas, etc) & John Stanier (Helmet, Battles, etc) and this time around joined by Trevor “field mouse” Dunn ( Mr. Bungle, Fantômas, etc).

http://www.ipecac.com/artists/tomahawk

estos estan siendo comparados con dinosaur jr hasta la saciedad aunque tampoco recuerdan especialmente a ellos. de entrada suenan muy canyeros:

california x / california x (don giovanni, 2013) *

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@p4x115us:

In less than a year, Amherst trio California X have emerged from basements and practice spaces of Massachusetts as one of the tightest new garage punk bands in the Northeast, teetering between various pockets of the punk spectrum — drawing influence from the worlds of noisy 80s Western Mass rock, fuzzy 90s garage pop, and classic post-hardcore SST sounds. Fronted by main songwriter Lemmy Gurtowsky, their debut LP for Don Giovanni follows one prior release, a double A-side single “Sucker” b/w “Mummy” out via the UK’s Sound of Sweet Nothing label. From start to finish, the record’s eight hook-heavy tracks of melodic guitar punk could all be singles: the noisy vox and huge grungy riffs on “Curse of the Nightmare”; the slower-burning head-banging pulse of “Pond Rot”; the shoegaze-inflicted fleshed-out melodies of “Lemmy’s World”. Songs like “Hot Hed” feel so essential you’ll wonder how they’re not actually from some long-lost reel-to-reel tape of 1980s Western Mass punk. Appropriately, the band recorded the album in MA with Justin Pizzoferrato, previously a collaborator with Sonic Youth and Dinosaur Jr – and though at times California X sound like they could have been contemporaries with those bands, they’re carving out their own space in a lineage of their hometown’s punk history, bringing a fresh, dynamic take.

California X - Spider X (Official Video) | ► play

http://www.dongiovannirecords.com/product/69-california-x

the ruby suns / christopher (sub pop, 2013) *

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@p4x115us:

Christopher is an album about starting over, but not necessarily moving forward. It’s a breakup album, but not necessarily a sad one. The Christopher referred to in the album title is part of an Auckland-based inside joke that we’re on the outside of. To you and me, Christopher is a metaphor: He’s that awkward, hormonal menace from when you were young and foolish and eager for everything. The story of Christopher mirrors McPhun’s coming of age: After a childhood spent in nerdy isolation, hiding away in his bedroom with his guitar while his older sister hosted high school ragers in their parents’ Ventura, CA home; after leaving home; after splitting from his long-term girlfriend and bandmate, McPhun has stopped thinking so much and joined the party.

McPhun and A-list engineer Chris Coady (Beach House, Grizzly Bear, Gang Gang Dance) polished Christopher to an opalescent sheen, yielding the kind of expensive-sounding, future-leaning ear candy typically in the province of Top 40 radio.

http://www.subpop.com/releases/the_ruby_suns/full_lengths/christopher

moldy

Wave Machines – Pollen (2013)

http://uploaded.net/file/pjnmriyr

moldy

Ólöf Arnalds – Sudden Elevation (2013)

http://ul.to/g9rgh7p7