Dröner Kebab
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chris abrahams / memory night (room40, 2013)
@2fky9yrz:
Chris Abrahams’ Memory Night is his third edition for Room40 - Play Scar and Thrown preceding this album. Widely recognised as the pianist for Australian liminal improvisation trio The Necks, Chris Abrahams’ solo work etches out an entirely different universe. It’s a place that is entirely his own, unashamedly unique and at times startling - yet always alluring.
On Memory Night, Abrahams’ expands his sonic palette, building on the uneasy frontiers of the highly regarded Play Scar. Never content to revisit past glories, Abrahams’ charts course into unfamiliar sound spaces, where electronics and instruments meet in a constant state of tension and release. Nothing is quite what it appears upon first listen and as a result Memory Night demands an attentive ear.
Recorded across 2011 and 2012, Memory Night is a haunted series of compositions that provoke and compel. Chris Abrahams has created what can only be described as a profound rendering of contemporary composition - a powerful, yet delicate evocation of sound, where instruments and electronics melt and are reformed.
http://emporium.room40.org/products/512312-chris-abrahams-memory-night
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@bruce_billis:3nmu145d:
greg haines / where we were (denovali, 2013)
¡Muy bueno! Me ha gustado más que los dos discos anteriores, tal vez me parece más intenso.
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Joder! No funcionan ni el de Eluvium ni el de Upstream Color! No soy capaz de encontrar algún link que funcione. Si alguna alma caritativa los vuelve a poner estaría muy agradecido.
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el de eluvium te lo puedes bajar de aqui. el de la bso de upstream color todavia tira.
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@bruce_billis:2xshsr7z:
el de eluvium te lo puedes bajar de aqui. el de la bso de upstream color todavia tira.
Muchas gracias! Descargando eluvium.
Aunque el de Upstream Color sigue sin funcionarme, pero ya lo buscaré con calma cuando salga del curro. -
@Sr.:
@bruce_billis:qb72wrbi:
greg haines / where we were (denovali, 2013)
¡Muy bueno! Me ha gustado más que los dos discos anteriores, tal vez me parece más intenso.
Pués a mi el Digressions me rechifla, si este es mejor voy a darle ya. Y me lo llevo de finde de retiro espiritual.
@thepenalty:qb72wrbi:
@bruce_billis:qb72wrbi:
el de eluvium te lo puedes bajar de aqui. el de la bso de upstream color todavia tira.
Muchas gracias! Descargando eluvium.
Aunque el de Upstream Color sigue sin funcionarme, pero ya lo buscaré con calma cuando salga del curro.Tiene razón thepenalty y el enlace no es que de error pero se queda en 0% todo el rato.
edito para decir que si que da error: "No disponible temporalmente"
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Forsi, el de Greg Haines sorprende al principio por que es muy diferente al Digresions, con mucha más electrónica y perdiendo un poco el protagonismo del piano. Es algo más "experimental" pero a medida que lo vas escuchando va ganando enteros paso a paso. Por cierto que me he acabado pillando la caja de 5 vinilos que los de Denovali le han sacado, reeditando en vinilo sus trabajos anteriore que sólo habían salido en cd. Tiene una pintaza enorme
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Joder yo voy a por eso, estoy contigo Toxinho, lo escuché una vez y torcí la ceja, tengo que darle más oportunidades pero es que ahora Eluvium ocupa todas las velas que gasto por las noches (se acaban de colar Boards Of Canada), deu meu.
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Os dejo una cosita a la que le llevo dando unas cuantas escuchas las últimas semanas mientras espero que se edite nuevo material de él por separado o con Adam Wiltzie
Dustin O'Halloran - The Beauty Inside OST
http://www3.zippyshare.com/v/80512118/file.html
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Habeis escuchado el de Kareem?
http://www.youtube.com/watch?v=j1axVruK ... ture=share -
Shampoo Boy "Licht" (Blackest Ever Black, 2013)
@2pxxw0g2:
Blackest Ever Black's deep furrow of new releases in 2013 hits a huge rock in the soil courtesy of Viennese trio Shampoo Boy's fearsome 'Licht'. Combining the uncompromising talents of Peterlicker's Christian Schachinger and Peter Rehberg (Pita, boss of Editions Mego) with Christina Nemec (Chra/SV Damenkraft), 'Licht' manifests an excoriating blend of nerve-shredding noise and choking doom atmosphere evoking the intensity of Rehberg's aktions in KTL with Stephen O'Malley, or the gut-wrenching dynamics of Keiji Haino's trios with O'Rourke and Ambarchi or Pan Sonic when they drop the vocals and go quids-in for the most visceral, atonal guitar noise and electronics. Yet, there's also a sense of discipline, or dare we say Viennese manners which come into play across all four tracks, holding it back from freeform freakout or balls-out catharsis: behind the terrifying screech and cloud-of-flailing-knives distortion lie eloquent chord changes and gloaming harmonics. In 'Gift' the incessant hi-end peal is balanced with a bassline that could almost be from an early ambient AFX, and the chiming shimmer of 'Still' recalls a most reserved Fennesz or even Loren Norell's gamelan transformations. It's probably fair to say that this is one of Blackest Ever Black's most impressive releases to date, and if you know what that means…
http://uploaded.net/file/fpissopa -
Manel, el de Kareem no lo tendras en mp3, no?
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Vamos a hacerlo bien
Kareem "Porto Ronco" (The Death of Rave, 2013)
http://uploaded.net/file/1u7ogh5u -
Eps, gracias! Al Ipod, y verás que bien me lo paso.
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date palms / the dusted sessions (thrill jockey, 2013)
@am63k8y3:
Date Palms revolves around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar (a first for the band). Kowalsky and Jakobsons are both accomplished solo musicians in their own right: Kowalsky has released ambient albums on Kranky as well as a collaborative release with Josef Van Wissem on Amish, and Jakobsons has released music on the Digitalis and Students of Decay labels. Date Palms uses the sound an imagery of the dustbowl and the American West to express something truly cosmic and unique within the already highly individualistic Bay Area underground.
http://thrilljockey.com/thrill/Date-Palms/The-Dusted-Sessions
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Keith Fullerton Whitman & Floris Vanhoof - Split [Shelter]
@2ksr5cpj:New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. (…)
http://uploaded.net/file/6pzcnhos -
People of the North - Sub Contra [Thrill Jockey]
@2h5dqfiw:People of the North is Kid Millions (drums) and Bobby Matador (keyboard, synth, vocals) of Oneida, and Sub Contra is their Thrill Jockey debut. While their sound, like Oneida’s, is constantly shifting and absorbing new concepts and ideas, Sub Contra is a work that fully embraces tumult and darkness in startling and dramatic ways. Sub Contra also features contributions from Shahin Motia and Barry London of Oneida.
http://www47.zippyshare.com/v/88610246/file.html -
El bueno de Rauelsson ha dejado de cantar y se ha cascado un disco muy notable de ambient+neoclásica.
Rauelsson - Vora
http://www10.zippyshare.com/v/29863368/file.html
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Black Swan - Redemption
http://www56.zippyshare.com/v/70757716/file.html
Continuación de sus dos anteriores discos que estaban muy guapos. Drone suave de kilates
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joder que buenas dos aportaciones!
buena noticia que Rauelsson no cante en el disco, parece ser un caso similar al de ursula, que fue para bien
los temas que he oido en el soundcloud de sonic pieces me encantaron, casi seguro me lo acabare comprando -
Raul Pastor o Rauelsson es amigo, le haré llegar que el cambio ha sido recibido para bien, presentó aquí en Castellón su nuevo proyecto y nos decía que no sabía como la gente (al menos la de aquí, la conocida) se tomaría el cambio. A mí personalmente también me gusta más que no cante.
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