Dröner Kebab
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Habeis escuchado el de Kareem?
http://www.youtube.com/watch?v=j1axVruK ... ture=share -
Shampoo Boy "Licht" (Blackest Ever Black, 2013)
@2pxxw0g2:
Blackest Ever Black's deep furrow of new releases in 2013 hits a huge rock in the soil courtesy of Viennese trio Shampoo Boy's fearsome 'Licht'. Combining the uncompromising talents of Peterlicker's Christian Schachinger and Peter Rehberg (Pita, boss of Editions Mego) with Christina Nemec (Chra/SV Damenkraft), 'Licht' manifests an excoriating blend of nerve-shredding noise and choking doom atmosphere evoking the intensity of Rehberg's aktions in KTL with Stephen O'Malley, or the gut-wrenching dynamics of Keiji Haino's trios with O'Rourke and Ambarchi or Pan Sonic when they drop the vocals and go quids-in for the most visceral, atonal guitar noise and electronics. Yet, there's also a sense of discipline, or dare we say Viennese manners which come into play across all four tracks, holding it back from freeform freakout or balls-out catharsis: behind the terrifying screech and cloud-of-flailing-knives distortion lie eloquent chord changes and gloaming harmonics. In 'Gift' the incessant hi-end peal is balanced with a bassline that could almost be from an early ambient AFX, and the chiming shimmer of 'Still' recalls a most reserved Fennesz or even Loren Norell's gamelan transformations. It's probably fair to say that this is one of Blackest Ever Black's most impressive releases to date, and if you know what that means…
http://uploaded.net/file/fpissopa -
Manel, el de Kareem no lo tendras en mp3, no?
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Vamos a hacerlo bien
Kareem "Porto Ronco" (The Death of Rave, 2013)
http://uploaded.net/file/1u7ogh5u -
Eps, gracias! Al Ipod, y verás que bien me lo paso.
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date palms / the dusted sessions (thrill jockey, 2013)
@am63k8y3:
Date Palms revolves around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar (a first for the band). Kowalsky and Jakobsons are both accomplished solo musicians in their own right: Kowalsky has released ambient albums on Kranky as well as a collaborative release with Josef Van Wissem on Amish, and Jakobsons has released music on the Digitalis and Students of Decay labels. Date Palms uses the sound an imagery of the dustbowl and the American West to express something truly cosmic and unique within the already highly individualistic Bay Area underground.
http://thrilljockey.com/thrill/Date-Palms/The-Dusted-Sessions
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Keith Fullerton Whitman & Floris Vanhoof - Split [Shelter]
@2ksr5cpj:New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. (…)
http://uploaded.net/file/6pzcnhos -
People of the North - Sub Contra [Thrill Jockey]
@2h5dqfiw:People of the North is Kid Millions (drums) and Bobby Matador (keyboard, synth, vocals) of Oneida, and Sub Contra is their Thrill Jockey debut. While their sound, like Oneida’s, is constantly shifting and absorbing new concepts and ideas, Sub Contra is a work that fully embraces tumult and darkness in startling and dramatic ways. Sub Contra also features contributions from Shahin Motia and Barry London of Oneida.
http://www47.zippyshare.com/v/88610246/file.html -
El bueno de Rauelsson ha dejado de cantar y se ha cascado un disco muy notable de ambient+neoclásica.
Rauelsson - Vora
http://www10.zippyshare.com/v/29863368/file.html
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Black Swan - Redemption
http://www56.zippyshare.com/v/70757716/file.html
Continuación de sus dos anteriores discos que estaban muy guapos. Drone suave de kilates
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joder que buenas dos aportaciones!
buena noticia que Rauelsson no cante en el disco, parece ser un caso similar al de ursula, que fue para bien
los temas que he oido en el soundcloud de sonic pieces me encantaron, casi seguro me lo acabare comprando -
Raul Pastor o Rauelsson es amigo, le haré llegar que el cambio ha sido recibido para bien, presentó aquí en Castellón su nuevo proyecto y nos decía que no sabía como la gente (al menos la de aquí, la conocida) se tomaría el cambio. A mí personalmente también me gusta más que no cante.
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Mañana actúa en Ourense pero me queda un poco lejos para ir a verlo. Llevo con su disco un mes a vueltas y la sorpresa es muy grata, la verdad. Sobre todo teniendo en cuenta lo poco que se suele hacer aquí en el género de la neoclásica. Es de esas joyitas que van ganando a medida que las escuchas y vas descubriendo los arreglos más finos.
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high wolf / kairos: chronos (not not fun, 2013)
@2dly33v8:
French globe-tourist High Wolf has hand-rolled his way up Mount Fuji, trainspotted every corner of Europe, hitchhiked across America and Australia, chugged Ganges water, and crouched on all manner of smoke-stained prayer rug since first looping a bongo back in '09. His apprenticeship in the House of Wah nearly complete, he's hinted at a potentially seismic shift in the High Wolf third eye doctrine lurking in the near future; perhaps his Away Team exfoliation moment is nigh. Fortunately, Not Not Fun has coaxed the astral jungle jah concoctions of Kairos: Chronos out from the ether, because this LP is the summation of his entire half-decade Amazon Cosmos quest.
All the tenets of the High Wolf mythology are in place: humid hand-percussion heat-spells, coiling snake-charmer fuzz-guitar stacked six deep, sunlit synth textures, dubby bass-lines thumping through grass amps, ceremonial voodoo babble, etc. From the hidden temple hymn "Kulti" to the thirteen-minute self-beheading solar eclipse shakedown, "Alvarado", the record represents rarified proof of The Wolf on High.
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julianna barwick / nepenthe (dead oceans, 2013)
@3cqahkh3:
Julianna Barwick named her forthcoming release Nepenthe, after a drug in Greek mythology that erased all memory of grief and sorrow. While Barwick was recording the album in Iceland, a family member passed away, and the name just sorta presented itself. The music on the album springs from that sense of moving from loss to hope, from pain to transcendence. And the story of Nepenthe’s birth is pretty much a Greek mythology-level tale itself… well, if your pantheon of gods includes Sigur Rós and instead of a quest for a gold fleece, your quest is to record an awesome new album.
It all began when Barwick received an email from artist and producer Alex Somers (Sigur Rós, Jónsi, Jónsi & Alex) inviting her to Reykjavík to record. “That was the fastest email I ever wrote: ‘Yes!’ Who would say no to that?” says Barwick. And so a dream team of Icelandic musicians was assembled, including múm guitarist Róbert Sturla Reynisson, string ensemble Amiina, and a chorus of teenage girls. The biggest inspiration for the album, however, was the total awesome weirdness of Iceland itself. Take it away, Julianna Barwick quote! “Your eyes can’t believe what they’re seeing. I walked home one night and got totally lost in Reykjavík. I ended up walking alongside the ocean — and it was glowing blue. It looked like it had a lamp underneath it.”
http://deadoceans.com/onesheet.php?cat=DOC069
dejo tambien el nuevo del flautista alex gray aka perro muchacho.
deep magic / reflections of most forgotten love (preservation, 2013)
@3cqahkh3:
Reflections of Most Forgotten Love is the third album from Los Angeles’ Deep Magic.
The solo project for current Sun Araw live band member Alex Gray, Deep Magic’s work has tended towards a meditative ambient realm, crafting a cosmic sound described by Uncut as having ‘a sort of calm and organic grandeur that recalls Popol Vuh’. Indeed like Popol Vuh, pursuit of a kind of spiritual grace has proven to be the measure at the heart of Deep Magic. Reflections of Most Forgotten Love finds a new urgency, an ever-shifting puzzle of sound breathing vital new life into Gray’s lyrical vision.
Dynamic and unrelenting yet somehow beautifully spacious and patient in its unfolding, this epic work thrives on equal parts pulse and poise, an essence held within a thrilling multiplicity of ideas.
Skittish techno, rolling pianos, warm pedal steel, foggy, dub drifts and microscopic sonics play out a hypnotic movement of moods with magnetic compulsion. Throughout its stirring, blissful way, intimacy is its keynote. As the title suggests, this is an album of emotively raw presence with a singular take on solitude as a many splendoured thing.
http://www.preservation.com.au/product/deep-magic-reflections-of-most-forgotten-love
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ostia, el de Deep Magic para Preservation, hace tiempo que le tenía ganas, este es de nota, Bruce!
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explosiones solares, nebulosas fantasmales, galaxias milenarias… este me lo llevo un dia al planetario. seguro que a carl sagan le encantaria.
por cierto, vaya cachondeo los titulos de los temas: alone in her cave, i've been thinking, she can feel my sadness…
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gracias por el de la Barwick maestro
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para los amantes de la música ambient / drone os recomiendo que os pongais esto, vais a flipar
http://soun.bandcamp.com/album/and-and -
@-Toxinho-:1pc5bwqz:
Forsi, el de Greg Haines sorprende al principio por que es muy diferente al Digresions, con mucha más electrónica y perdiendo un poco el protagonismo del piano. Es algo más "experimental" pero a medida que lo vas escuchando va ganando enteros paso a paso.
jo-der! este disco es impresionante. must del anyo. lo habia tenido un poco apartado hasta ahora pero me acaba de atrapar y es de esos que no sueltas en una buena temporada. muy curioso el timonazo que ha dado a su musica el amigo. si no fuera por los primeros temas podria haber ido directo al hilo de electronica.
este tambien pinta muy guapo:
roedelius schneider / tiden (bureau-b, 2013)
@1pc5bwqz:
Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album "Stunden", accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great inspiration for their musical collaboration. Fine references no doubt, one having invented musique d'ameublement, and the other having refined it into ambient music 80 years later. Yet "Tiden" does not sit easily in either camp. This is neither tasteful decor (à la Satie), nor is it electronic-auditory space filler (à la Eno), gazing towards infinity. The short duration of the 13 pieces is enough to discount either genre. Better to consider these as concentrated, inspired études, carefully thought through and in no way random or sketchy.
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