Filtraciones '08
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Low - Santa's Coming Over 7"
http://rs65.rapidshare.com/files/160379462/Mraz.rar
@2mytqs6m:
Those grandmasters of the modern Christmas song return with an early-bird festive missive, backed with a seemingly most unseasonal reggae number, "The Coming Of Jah". The A-side makes like a menacing rethink of "Santa Claus Is Coming To Town" - as if rethought for a Credit Crunch Chrimble, asking rather speculatively as to whether or not all the children will get their presents this year. The floaty backing vocals sail along in a creepy, ethereal fashion, only for lumbering discord to muscle its way into the song for a chorus that's more "Nightmare Before Christmas" than "It's A Wonderful Life". Flip over, and "The Coming Of Jah" is comparatively upbeat, lovingly rendered in a warm dub-style production. This is a lovely, if slightly unsettling addendum to Low's marvelous Christmas mini album, and just the thing to get you in the Yuletide spirit… sort of.
Después de aquel ep de villancicos que sonaba como si las navidades tuvieran una banda sonora decente, editan ahora este 7" que tengo ganas de escuchar.
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Y algo de un japo que hace cosillas interesantes dentro del ambient.Haruka Nakamura - Grace
http://www.mediafire.com/?fmmoscgxetnhttp://www.myspace.com/harukanakamura
Esto creo que no se ha filtrado por aquí, por lo menos yo no lo encuentro
Los Campesinos!/No Age/Times New Viking - Shred Yr Face 7"
http://www.mediafire.com/?cthmyxi4xjy
@2mytqs6m:
A. Los Campesinos! “Death to Los Campesinos! (Death To Napoleon III Remix)”
B1. No Age “Loop”
B2. Times New Viking “Anything Could Happen” -
Alguien sabe algo de dos ep's que ha publicado Final Fantasy este año? algún up o re up??
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@Kiototar:15k0p409:
Alguien sabe algo de dos ep's que ha publicado Final Fantasy este año? algún up o re up??
Aquí va uno
http://rs50.rapidshare.com/files/140861283/f_f_-_s_f_c.zipY aquí va el otro```
http://rapidshare.com/files/141852605/Plays_To_Please.rar -
Toxinho… GRACIAS MIL!!
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Scott Weiland - Happy in Galoshes (2008)
frontman de Stone Temple Pilots, Velvet Revolver y Camp Freddy..
http://rapidshare.com/files/160507918/SW-HIG.rar -
@Dan:
Scott Weiland - Happy in Galoshes (2008)
frontman de Stone Temple Pilots, Velvet Revolver y Camp Freddy..
http://rapidshare.com/files/160507918/SW-HIG.rarthankyou!
a ver que hace el yonki esteEDITO: uff que desastre de momento la primera suena a avril lavigne, la segunda a Robbie Williams y la tercera a the killers… no anem be
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Voy acabar en puro estado de SHOCK, llevo mucho tiempo detras del nuevo de Psychic Tv-'Mr. Alien Brain vs The Skinwalkers' ¿es que aún no se ha filtrado?
Gracias por todo!! -
Kemialliset Ystavat/Sunroof! - Split 12" [2008/FatCat]
@eitzy2p7:
Album-length split from these two key underground groups, with the KY side conjuring almost Skaters-esque drones from obsessively detailed studio miniatures that feature Jan Anderzen alongside Sami from Es, Roope Eronen, Niko-Matti Ahti (Kiila), Tomas Regan, Markus Maki and Elissa Maattanen. The Sunroof side is absolutely incredible, easily the equal of the previous Sunroof landmark recording on the Mouthus/Double Leopards split, with the opening recording from the 2007 Termite festival featuring Matthew Bower and Mick Flower (Vibracathedral Orchestra) on guitars and Mattin (Billy Bao et al) on computer feedback one of the most mind-blowing and intense single-chord pugilistic rock warps ever nailed to vinyl. Also features a dual guitar recording by the line-up of Bower and Marc Orleans (Sunburned Hand Of The Man) and a solo Bower noise bomb. Totally necessary and very highly recommended.
http://www.mediafire.com/?znkynnodgmd -
Bueno, después de la gran colaboración con Tim Hecker vamos a hincarle el diente a este otro disco que se saca de la manga el Nadjero Aidan Baker
Aidan Baker – Book Of Noods (2008)
http://rapidshare.com/files/159255955/Aidan_Baker_-_Book_Of_Nods_2008.rar -
Gracias Zack. A ver que tal está el ruidaco que hace este en solitario.
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joder tojeiro, hoy te has cubierto de gloria con esas filtraciones. Chapó.
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me he encontrado éste por ahí:
CHRISTINA ROSENVINGE (2008) "Tu labio superior"
http://www.megaupload.com/es/?d=QYSZF75S -
Uff… me lo he comprado esta misma tarde el de la Rosenvinge y tras una escucha he de decir que tiene bastantes temazos!
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@Kiototar:3d6tie5h:
Uff… me lo he comprado esta misma tarde el de la Rosenvinge y tras una escucha he de decir que tiene bastantes temazos!
yo le tenía muchas ganas, estoy empezando a oírlo ahora…
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cristina rosenvingerl
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Llevo cerca de 15 días sin entrar por el foro para ver las novedades. Me da una pereza enorme ponerme a leer 30 páginas de foro porque es un coñazo.
Así que aprovechándome de vuestra bondad…alguien podría hacerme un listado con 10 discos recomendables?
Os lo agradezco
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@muchachapeluda:ddl8s4li:
Llevo cerca de 15 días sin entrar por el foro para ver las novedades. Me da una pereza enorme ponerme a leer 30 páginas de foro porque es un coñazo.
Así que aprovechándome de vuestra bondad…alguien podría hacerme un listado con 10 discos recomendables?
Os lo agradezco
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No me suena de haberlo visto, así que lo pongo.
Ex Reverie - The Door Into Summer
http://www.zshare.net/download/50757437eca88729/
@1pfub0dz:
The most impressive band to come out of Greg and Jessica Weeks's Language of Stone repertoire so far is Ex Reverie. It's the spawn of Gillian Chadwick, the other half of Jessica Weeks's Woodwose.
Chadwick's singing on the band's debut, The Door into Summer, evokes a more sinister Sandy Denny (Fairport Convention), her voice rising like an incantation over the music and then falling back among the flora. Her tonal flexibility allows her to keep up with the fertile evolution of her suites (more than half the songs here exceed five minutes).
This evolution carries each song through a distinct musical history loosely rooted in parallel musical histories: that of the stringed instrument, of folk and rock music, and of her own experience as a listener and player. Listening through the accelerated eons of her songs is the equivalent of watching a lizard grow wings and feathers in real time.
Chadwick's lyrics present a world where natural forces "move quickly in slow motion" and where "constancy and context tumble in silky sleeves." Corruption dances with purification, quick passions slide into birth cycles, and gods trade places with mortals. In "The Years," Chadwick tells the story of a sea goddess who emerges from the water every generation to find her old subjects gone. With each cycle she "re-enter ~~the line" of mortality and then sublimes into the ocean once more.
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Y otro disco tranquilito para los amantes del ambientManual - Confluence
http://www.gigasize.com/get.php?d=1cycwhb037f@1pfub0dz:
Confluence is Danish producer Jonas Munk's third installment in his
series of ambient albums, following the much loved The North Shore from
2003 and Bajamar from 2006. Unlike Munk's better known work, which
centers around electronica and shoegazing aesthetics as well as a love
of 1980s production techniques, these ambient works are completely
without beats, or even time signatures, and are delicately constructed
out of slowly evolving streams of guitar that has been processed into
oblivion and back. But even compared to the standard set by the two
aforementioned albums, Confluence is surprisingly dark and minimalist.
These eight new compositions move slowly and seamlessly, like the ebb
and flow of the changing tide, with subtle layering and filtering
providing the essential means of movement. In spite of all the pieces
having been created out of endless digital processing and manipulation
of guitars, the result is warm, organic and timeless. Occasional piano
is basically the only other element present amongst the haunting
cascades of guitar drones. Opener "Blue Stone" is a simple composition
that recalls the minimalism of Gavin Bryars or Morton Feldman, with
highly evocative chord combinations replacing one another like cloud
formations in the sky; the title track, "Confluence", visits a musical
territory similar to that on Brian Eno and Harold Budd's collaborative
efforts, with its broad soundscapes and vulnerable piano playing;
"Oracle Night" could be an Angelo Badalamenti piece if he was to score a
David Lynch movie set on a tropical island.
~~ -
@-Toxinho-:2k49x804:
Manual - Confluence
http://rs233.rapidshare.com/files/160570711/Manual_-_Confluence.rar@2k49x804:
Confluence is Danish producer Jonas Munk's third installment in his
series of ambient albums, following the much loved The North Shore from
2003 and Bajamar from 2006. Unlike Munk's better known work, which
centers around electronica and shoegazing aesthetics as well as a love
of 1980s production techniques, these ambient works are completely
without beats, or even time signatures, and are delicately constructed
out of slowly evolving streams of guitar that has been processed into
oblivion and back. But even compared to the standard set by the two
aforementioned albums, Confluence is surprisingly dark and minimalist.
These eight new compositions move slowly and seamlessly, like the ebb
and flow of the changing tide, with subtle layering and filtering
providing the essential means of movement. In spite of all the pieces
having been created out of endless digital processing and manipulation
of guitars, the result is warm, organic and timeless. Occasional piano
is basically the only other element present amongst the haunting
cascades of guitar drones. Opener "Blue Stone" is a simple composition
that recalls the minimalism of Gavin Bryars or Morton Feldman, with
highly evocative chord combinations replacing one another like cloud
formations in the sky; the title track, "Confluence", visits a musical
territory similar to that on Brian Eno and Harold Budd's collaborative
efforts, with its broad soundscapes and vulnerable piano playing;
"Oracle Night" could be an Angelo Badalamenti piece if he was to score a
David Lynch movie set on a tropical island.los rapidshares estos nuevos, son una mierda, estan siempre petados a las 10 bajadas, alguien lo tiene?
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