Dröner Kebab
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Se avecina una invasión teen en el género drone. Un chaval de 20 años que se hace llamar Shamantis ha colgado en soundcloud un tema de un ídolo adolescente americano (Justien Beiber) tras pasarlo por un programa llamado PaulStrech que lo ha dejado 8 veces más lento y muy muy próximo a cosas como Fennesz.
El tema, que se ha quedado en la nada despreciable cifra de 35 minutos, lleva (en estos momentos) medio millón de escuchas en tan sólo un día, su autor fue trending topic en Twitter durante el día de ayer, y tiene a la blogosfera temblando.
Podéis escucharlo aquí:
http://soundcloud.com/shamantis/j-biebz ... 800-slowerDroneros, ya podéis salir huyendo.
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Rafael Anton Irisarri - The North Bend
http://www.megaupload.com/?d=KAVQCGGI
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RM74 - Reflex (utech)

http://www.megaupload.com/?d=LCMPKMYE ```tags: drone, noise, electroacoustic [http://www.myspace.com/rm74](http://www.myspace.com/rm74) -
Gracias por el de Aaron Martin y Rafael Irisarri. Del que no encuentro rastro por ningún sitio es del Famous Places de Goldmund y sale el próximo día 24…
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en spotify se puede escuchar al completo:
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Merci Melt.
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@°:1q6jyoih:
Gracias por el de Aaron Martin y Rafael Irisarri. Del que no encuentro rastro por ningún sitio es del Famous Places de Goldmund y sale el próximo día 24…
Goldmund – Famous Places
http://www.mediafire.com/?8re2rd9ohsd73s0
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Estupendo Toxi, las gracias muchas.
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Este lo pongo aquí, aunque también podría ir perfectamente en el hilo general.
Está en V0James Blackshaw - All Is Falling
http://www.mediafire.com/?ecsa92sg6sbr0rr
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Bueno el cartel completo y distribución por días del UNSOUND. uf uf!
UNSOUND Kraków - Polonia
The theme of Unsound 2010 in Krakow is "Horror - the pleasure of fear and unease."17.10.2010
Opening concert
Daniel Bjarnason conducts Sinfonietta Cracovia (IS/PL) – program soon to be announced
Opening party - Manggha
Baaba present Fearless Vampire Killers (PL)
Roll The Dice with visuals by Frode Frode Fjerdingstad (SE/NO)
18.10.201
Intersections - Manggha
Silje Nes (NO)
Mice Parade (USA)
Laetitia Sadier (FR)
**19.10.2010
Reanimators - Manggha**
Elegi + Jolanta Kowalska (NO/PL)
Sza/Za with short films of Roman Polanski (PL)
**20.10.2010
Apocalypse Now**
Shining (NO)
Monno (CH/CAN)
Jazkamer (NO)
**21.10.2010
Disturbed Calm - St Katherine's Church**
Tim Hecker (CAN)
Wildbirds & Peacedrums with Schola Cantorum Reykjavík Chamber Choir + Octava Ensemble (SE/IS/PL)
Out of the Fog: Darkness to Disco - Fabryka
Oneohtrix Point Never (USA)
Demdike Stare (UK)
Jigoku (UK)
Zombie Zombie play songs of John Carpenter (FR)
Lindstrøm (NO)
**22.10.2010
Darkness & Light - Kino Kijów**
Hildur Guðnadóttir + Adam Wiltzie (IS)
Lustmord (UK)
Moritz von Oswald Trio (DE/FIN)
Hybrids - Fabryka
Room 1
Oni Ayhun (N/A)
Actress (UK)
Shackleton (UK)
Kyle Hall (USA)
Mike Huckaby (USA)
Room 2
Petre Inspirescu (ROM)
Jacek Sienkiewicz (PL)
Derek Plaslaiko (USA)
**23.10.2010
DAY SHOW (not included in pass)**
"The Pretty One", with Kreng, presented by Abattoir Fermé & Miasmah
Kreng (BE)
DAY SHOW (not included in pass)
The No Fun House of Horror, co-presented with No Fun
Carlos Giffoni (USA)
Hild Sofie + Anna Zaradny (NO/PL)
Noveller (USA)
Fragments of Fear - Engineering Museum
Emeralds (USA)
Goblin + visuals (IT/NO)
Bass Mutations - Fabryka
Room 1
Cosmin TRG + FaltyDL (ROM/USA)
Mount Kimbie (UK)
James Blake (UK)
Joy Orbison (UK)
Dorian Concept (AT)
SUPRA1 (PL)
Room 2
DaveQ (USA)
Kontext (RU)
Badawi (Raz Mesinai) (USA)
Terror Danjah (UK)
eleven tigers (UK)
Spatial (UK)
**24.10.2010
DAY SHOW (not included in pass)**
Don't Go Down There - Krakow Academy of Music
Black to Comm (DE)
Mystery Guest Soon To Be Announced
Unsound Closing Event
"Solaris" - Ben Frost + Daníel Bjarnason with Sinfonietta Cracovia (IS/AU/PL)
Closing Party: Double Trouble, presented with Last.FM - Fabryka
Beatbully b2b Melkeveien (NO)
Deadboy b2b Jackmaster (UK)
Last.FM DJ TEAM (Hot City b2b Sideb0ard) (UK)
The Phantom b2b Zeppy Zep (PL)
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@-Toxinho-:30vc4agf:
Este lo pongo aquí, aunque también podría ir perfectamente en el hilo general.
Está en V0James Blackshaw - All Is Falling
http://www.mediafire.com/?ecsa92sg6sbr0rr
joder, tendré que pasarme más por el hilo dronero, esto no se hace.
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Lo siento Vero.

A ver si no lo hago más. -
motion sickness of time travel - seeping through the veil of unconscious c60 (digitalis - 2010)
http://www.digitalisindustries.com/ltd154.html

http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html -
Mark McGuire - Living WIth Yourself
http://www.megaupload.com/?d=KD0KHWW1
Menos enfocado al sonido que tienen en Emeralds, sobre todo el último tema "Brothers (for Matt)".
@280rvdkh:Mark McGuire operates chiefly as guitarist in the legendary Emeralds; however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). 'Living with Yourself' is his new album and we at Editions Mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. Focusing on his family, early friendships, and the problems that inevitably develop through years of knowing someone, it takes McGuires sound even further out, and contains some his most accomplished songs to date. The opening track is fine example of McGuire's magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. And tracks like 'Clouds Rolling In' and 'Brain Storm' take off where such McGuire classics as 'The Marfa Lights' (which incidentally is planned for a future reissue) left off. While connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. These are songs that cruise, bubble, and rise to the top.
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@-Toxinho-:3vkqstyg:
Este lo pongo aquí, aunque también podría ir perfectamente en el hilo general.
Está en V0James Blackshaw - All Is Falling
http://www.mediafire.com/?ecsa92sg6sbr0rrUn nuevo link :
http://hotfile.com/dl/63466890/32a37c0/www.NewAlbumReleases.net_James_Blackshaw_-_All -
Clouwbeck - From Which the River Rises
http://www.mediafire.com/?1ghu1xayy97iy7x
@2f3lyrmv:Devastation is often best understood through a sideways lens, as peripheral vision and the subconscious possess observational powers beyond our ken. Poetry and parable are two art forms capable of comprehending the hidden depths of human existence, as well as “the peace that passeth understanding”; instrumental music is a third. Richard Skelton’s artistry is born of grief, yet transcends it by transcribing the ineffable.
Tragedy, injury, illness and grief – all forms of loss – can ravage or hone a human being. They can dull a vibrant life or transform a mundane one. Incident-related loss is different from the fire of the artistic temperament, because it is event-generated rather than genetically-granted. Personality does come into play in our reaction to life’s events, and many inspiring stories hail from these shores: polio-stricken presidents, paralyzed journalists, amputee mountain climbers. Those who have lost loved ones often memorialize them in honorable ways, by publishing journals and scrapbooks, penning biographies and building monuments. Yet frequently these tributes work against their stated intentions, linking the death of the loved one forever with the life.
Skelton’s grief and subsequent process of mourning have been laudably devoid of maudlin connotation and misstep. For years, fans have been watching this process unfold, first privately, then a bit more publicly. (Most of Skelton’s releases, including this one, are available only by contacting the artist.) I don’t know Richard personally (although we have corresponded), and I never knew his wife, but I would venture to say that she would be proud of the way he’s carried on. He’s honored her art by featuring her photographs on various CDs, and he’s honored their relationship by dedicating his music to her. Perhaps her death did not make him an artist, but it made him this artist, so when we hear him, we are hearing them both, in such a way that her life seems more important than her death.
Richard Skelton vuelve a sacar disco con este alias (Para alegría de alguien que yo me sé).
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jefre cantu-ledesma - love is a stream (type,320k)
http://www.megaupload.com/?d=P1H8FVT8tags: ambient,drone
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Jefre Cantu-Ledesma & David Tagg - Untitled (Install, 2010)
Abstract, Ambienthttp://www.mediafire.com/?1tj5ayj5yhry31l. The Clouds Should Know My Name
1.1. Jefre Cantu-Ledesma Untitled 8:31
1.2. Jefre Cantu-Ledesma Untitled 4:20
1.3. Jefre Cantu-Ledesma Untitled 4:08
1.4. Jefre Cantu-Ledesma Untitled 1:41
. Mosaic Surfer
2.1. David Tagg Untitled 9:27
2.2. David Tagg Untitled 5:20
2.3. David Tagg Untitled 5:49Toxi, desde finales de julio tengo una bonita copia de From Which the River Rises, gracias por subirlo ; )
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Murralin Lane - Our House Is on the Wall (12k)
nuevo proyecto de David Wenngren (Le Lendemain, Library Tapes)

http://www.mediafire.com/?e2oedof6yoab6ocSeaworthy + Matt Rösner - Two Lakes (12k)

http://www.megaupload.com/?d=7WC8NBGX -
Graciñas Melt. El primero ya lo tenía, pero del segundo no tenía ni idea.
Dejo una cosita por aquí. El anterior disco (Truth And Distance Ep) de este músico fue uno de mis favoritos del año pasado, en el que se centraba más en crear explosiones sonoras a base de ruido y drone. En este nuevo disco utiliza más grabaciones de campo y apuesta por provocar diferentes estados a base de riffs de piano, loops y diferentes instrumentos.
Concern - Caesarean
http://www.megaupload.com/?d=HW6D8A3B
@67cj8q3x:
Beautiful album of aged recordings, drones and field recordings – a must for followers of William Basinski* Caesarean’s lead track, ‘Discrete Memorial’ is a real rarity within the field of ambient music: it’s a piece that instantly takes hold of you, dragging you deeply into its faded, tape-eroded realm.
Rather than stringing out drones from analogue synths, soft synths or field recordings, Concern’s Gordon Ashworth instead calls upon the services of various acoustic sound sources (clarinet, banjo, guitars, organs and more), all collaged together in an almost tangibly physical recording environment that seems a million miles away from the computer-dominated soundscapes this genre generally throws your way. It’s only the start of a very long journey (the album isn’t too far off maxing out the disc), but you might have trouble moving on from ‘Discrete Memorial’. It’s really quite wonderful; full of faults and dropouts, an introductory piano riff fires up in a stuttering loop, before languid woodwind tones join in. In theory this would all sound a bit derivative of William Basinski, but Ashworth ably asserts a very different voice on these pieces and certainly doesn’t adhere to any strictly repetitious loop-driven formula.
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