Dröner Kebab

Pelukini

Que suerte, yo al final no puedo ir, ya contarás

-Toxinho-69

Una de las mitades de Stars of th Lid componiendo la banda sonora para un documental
sobre la desaparición de las abejas.

Brian McBride- The Effective Disconnect

http://www.mediafire.com/?b928nr6ac4fvmx1

–--
Y esto es lo último del sello Miasmah

Marcus Fjellström - Schattenspieler

http://www.mediafire.com/?21hl88tp702ov88#1

@10zmtfhd:

Combining wonderfully crackly ambient textures with ancient sounding classical instrumentation, Fjellstrom's music is perhaps like a sonic equivalent to the cinema of the Brothers Quay or Guy Maddin in its stylised and revised recreation of something old, monochromatic and somehow already familiar. It's fairly commonplace to find ambient or dark-ambient works that channel this sort of run-down aesthetic , but Fjellstrom goes somewhat further by using real orchestration and then aging it. Consequently, there's so much more invested in Fjellstrom's music and his soundscapes are far richer than the kind of loop-driven, predominantly electronic material of his contemporaries. Particular highlights arise during the creaky, percussion-driven 'Liquid Fire' and the incredible woodwinds of 'Untitled 090616', but this marvellous album is best digested as a whole.

Invitado

NotCitizen, mejor no cuentes. ¡Disfrútalo!

Nils Frahm, Johann Johannsson & Hauschka. Explorer's Club: 7. Belfast- Reykjavik (Loaf, 2010)
Home listening/modern classical/ambient

@3uzg0av4:

For the seventh volume of the Explorers' Club series there's a big-name line-up on show: firstly we have Hauschka and Stefan Schneider, whose 'Common Exposure' shifts through muted chimes and what sounds like processed prepared piano melodies before rounding off with searing synthesizer lines. After this exceedingly pretty intro, Nils Frahm enters the frame, fashioning another wonderful piano instrumental with a strong rhythmic theme. There are few other composers working in this pop-neo-classical field that can match this young musician's form at the moment. Finishing up, Johann Johannsson provides an all-too-short finale in 'Siferi', another tremendous piano solo, this time taking on a dramatic minor key feel.

1. Hauschka & Stefan Schneider : Common Exposure (3:54)
2. Nils Frahm : Corn (4:01)
3. JOHANN JOHANNSSON : Sifreri (1:34)

http://www.mediafire.com/?6ohzfbbhl7d12tm

Invitado

"Dröner Kebab" y etc.

Hauschka. Foreign Landscapes (Fat Cat, 2010)
Modern classical

@2q8n0p94:

With his past two albums, Hauschka carved a niche for himself in the world of "prepared piano," i.e. the technique of placing various objects or materials inside the innards of a grand piano to create new tones. It's a method that was popularized by John Cage in the 1930's and kept alive by contemporary composers like Christian Wolff, though Hauschka's take on the genre is slightly more pop-inspired, with increased focus on melody over timbre. Over the years he's received praise from publications like Pitchfork and Mojo and embarked on a number of international tours, including one with the Icelanding group Mum.

Foreign Landscapes shows Hauschka expanding his palette a bit, playing piano with full orchestral accompaniment. Nostalgia has been a theme in his music in the past–2008's Ferndord was named after the German village where Bertelmann grew up--and it finds its way into the new album as well. The album was largely inspired by Hauschka's travels over the past few years, with many pieces harking back to specific spots that made an impression on him, such as Alexanderplatz in Berlin and Union Square in Manhattan.

01. Alexanderplatz
02. Iron Shoes
03. Mount Hood
04. Madeira
05. Union Square
06. Snow
07. Early in the park
08. Kamogawa
09. Children
10. Sunny Mission
11. Kouseiji
12. Trost

http://www.mediafire.com/?zhbvxddl03iy29a

mantecaína

Sin estar muy puesto, a esto del ''prepared piano'' de Hauschka me apunto.

Me está gustando mucho también, de lo que he ido descargando de este hilo, el disco The Amber Sea de Myrmyr, intercalando pasajes más ''droneros'' con otros de instrumentación vetusta y ''folk noir'' de voces inquietantes. Muy recomendable.

-Toxinho-69

Philip Jeck - An Ark For The Listener

http://www.mediafire.com/?l4s4c14ge3vih6i#1

Buen disco para oídos golosos. Un veterano en esto de crear vibraciones en las neuronas.
Una buena reseña aquí: http://mapsadaisical.wordpress.com/2010 ... ner-touch/

Pelukini

he leído muy buenas críticas de este disco, ahí vamos, a ver que tal.

-Toxinho-69

Helios - Ayres (Instrumental)

http://www.multiupload.com/7QXFCZCCK6

thatcher

@arrebatos:2qf3s48d:

motion sickness of time travel - seeping through the veil of unconscious c60 (digitalis - 2010)

http://www.digitalisindustries.com/ltd154.html
http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html

gracias arrebatos, este año no estoy droneando demasiado pero este disco en concreto me tiene atrapadísimo….

manel

muy bueno el de philip jeck, sí señor

en otro orden de cosas: ya no se filtran cosas de wolf eyes, hair police, john wiese y esta tropa de ruido apocalíptico o qué?

rick

Gracias por los últimos enlaces.

Cada vez que paso por un Kebab de esos pienso que está mal escrito lo de Doner y le falta la "r". :twisted:

-Toxinho-69

Barn Owl – Ancestral Star

http://www.mediafire.com/?slaidsca59t956c

A Former User

Library Tapes – Like Green Grass Against a Blue Sky

http://www.multiupload.com/5ENCINA5A5

calltheranger

nueva entrega de los adalides del twee-pop!

earth - a bureaucratic desire for extra-capsular extraction (southern lord, 2010)

http://hotfile.com/dl/75362800/83e2d57/Desire-For-Extra-Capsular-Extraction-2LP-2010-hXc_thierry0wnz.rar.html
```@qfqlhwdy:

> We have been blessed with a massive offering from the gods! For the first time ever the debut recordings of Earth are available in one concise, beautifully documented capsule. ” “A Beaurocratic Desire for Extra Capsular Extraction” contains the entire 1990 Smegma Studios sessions which are the debut recordings from Earth. Previously available scattered via the “Extra Capsular Extractions” EP and “Sunn Amps and Smashed Guitar” CD. This essential collection contains every note from the infamous first Earth recording sessions. All 7 tracks have been carefully remastered by Mell Dettmer. It is actually questionable what mastering if any was done on the original tracks so we entrusted the task into the very capable hands of Mell who has mastered all the other Earth releases via Southern Lord. The result is a more burly, mammoth and crushing audio experience that makes this collection a must have even for the die-hards that own previous versions of these recordings. Includes liner notes from Dylan Carlson with exclusive artwork by Simon Fowler and package design via Stephen O’Malley.
> 
> [http://blog.southernlord.com/?p=297](qfqlhwdy)

-Toxinho-69

Sus dos discos anteriores aportaban algunas canciones muy sabrosas. A ver que nos depara esta vez.

Ilyas Ahmed – Between Two Skies / Towards The Night

http://www.fileserve.com/file/K9vDUpb

efren

@bruce_billis:2cozn93i:

nueva entrega de los adalides del twee-pop!

earth - a bureaucratic desire for extra-capsular extraction (southern lord, 2010)

Mil gracias.

A Former User

@-Toxinho-:3k5zsohg:

Sus dos discos anteriores aportaban algunas canciones muy sabrosas. A ver que nos depara esta vez.

Ilyas Ahmed – Between Two Skies / Towards The Night
http://www.fileserve.com/file/K9vDUpb

Towards The Night y Speaking of Shadows, fueron un par de álbumes autopublicados en el 2006 y 2005 respectivamente, limitado a 50 copias. esto es una reedición doble LP/CD remasterizada por Pete Swanson. muy interesante para empezar a conocer a este pakistaní.

pd: toxinho, te has hecho algún otro blog?

-Toxinho-69

De momento tengo el mío bastante parado. Llevo desde agosto sin postear nada debido a mis problemas mentales originados por la larga exposición al Drone.

Dan Hoerner

@melt:2m9yr7h1:

Library Tapes – Like Green Grass Against a Blue Sky
http://www.multiupload.com/5ENCINA5A5

Oh, si.

-Toxinho-69

The Fun Years - God Was Like, No

http://www.mediafire.com/?c816r7a048cht8i

@1b9gj4qh:

The Fun Years are responsible for one of our favourite records of the last few years, the magical 'Baby, It's Cold Inside'. This is the much anticipated follow-up, delivering their first new material since an inclusion on Kompakt's Pop Ambient series. Arguably, it's their finest work, evolving the grainy loops and organically constructed drones into a living, breathing mass of intangible yet deeply affecting emotions set somewhere between the majestic blur of Philip Jeck's classical loops and Mogwai's widescreen post-rock, without really sounding like either. After a string of intense recording sessions and road testing the material in odd locations like an air traffic control tower and the guts of a Richard Serra sculpture, 'God was like, No' was finalised, resulting in eight tracks which bend light and sound with a gorgeously tactile and almost kinaesthetic quality. This is best heard on the first side of shorter drone-pop experiments, five tracks which glow and fizz with a matt luminescence, constantly realigning your depth perception as serene layers of synth drone hover in and out of focus, fluttering and disintegrating around blissed, infinite guitar loops not dissimilar to Fennesz's work on 'Endless Summer'. Once we've snapped out of the trance, the other side introduces an altered palette of shapes with a more tensile, frictional relationship. From the subtly dense crescendo of crackle and foreboding gongs in 'And They Think My Name Is Dequan', 'Get Out Of The Obese Crowd' sinks fathoms deep into gruffly distorted textures and stays there until the tidal waves of cathartic ambient noise in 'Precious Persecution Complex' gradually subside.