Filtraciones '10
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por la madre, cuánto temazo junto! es una pena que su bolo coincida con el pc porque los vería de buena gana.
suede - the best of suede (universal, 2010)
http://uploadstore.net/k46lw21ddy4w/S-TBOS-CD1.rar.html http://uploadstore.net/wyjugrvwqty8/S-TBOS-CD2.rar.html ```@1hi2pjv8: > Alongside Pulp, Suede stood apart from the plethora of bands that spread, acne-like, across the UK in the mid-90s explosion of Britpop. That much is evident when listening to this new compilation. It’s essentially a reissue of 2003’s Singles collection (minus three songs, but with an extra disc of non-single tracks); but even in 2010, when most Britpop sounds dated and clichéd, the zeitgeist that Suede captured throughout their years together seems just as relevant and pertinent today. > > The songs of that first disc are, of course, the ones that everybody will know. It kicks off with Animal Nitrate, which, 17 years after it was first released, still radiates with the edgy, contentious energy that defined early Suede. Indeed, no other band has ever quite managed to romanticise England’s urban sprawl and decay with as much efficacy as Brett Anderson’s poetic lyricism. With or without Bernard Butler, Anderson incisively captured the messed-up, drug-addled yet hopeful, dream-filled lives of a generation who grew up during or after a Thatcherite Britain, something that Metal Mickey, Trash, Everything Will Flow, Beautiful Ones and the relatively lethargic wistfulness of Saturday Night ably demonstrate. And although the later singles – especially Electricity and Obsessions – noticeably lack the bold, brash spark of their earlier counterparts, instead of becoming something of a self-parody they contain a lyrical and musical intelligence that was absent in much of the lad-minded music of their era. > > Yet perhaps the most significant aspect of this compilation is the second CD: 17 songs taken from Suede’s first three albums (or their singles). The likes of She, Heroine, The Asphalt World and the brittle poignancy of The Next Life are testament to Suede’s extensive talent – proof they weren’t just anti-heroic poster boys for a disenfranchised generation and the cynical record label marketing men. In fact, that some of their very best songs – namely Europe Is Our Playground, My Dark Star and the tender, abject melancholy of The Living Dead, all present here – were B sides, shows just how much Suede had to offer. Having reformed earlier this year, time (and any new material) will surely tell if they can recapture the bright nuclear lights of their past. For now, though, this is a great tribute to a flawed, but nevertheless fantastic, career. -
@staggerlee:bkylef5h:
Hola, hoy ha salido a la venta, por lo menos en itunes lo han puesto hoy, el directo de L.A. nuevo, se llama Heavenly Hell Naked, lo tiene alguien alguien por ahi? Yo no encuentro, gracias.
Aquí… creo
http://www.megaupload.com/?d=I6SP8M1B -
Bello disco de folk acústico de la nueva banda del batería de Two Gallants (sin la crudeza de éstos):
Devotionals "Devotionals"
@2upunmv3:
folk acústico
http://hotfile.com/dl/71721577/7b4b021/83fbefbcec8030a87f032c3f3a382070.rar.htmlpass: afterpre.com
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cee-lo green - the lady killer (elektra, 2010)
http://uploadstore.net/uy8amdev9skd/backup-c-l-by-yOgI.rar.html password: yOgI ```estilo: black music / r&b / motown / gnarls barkley frontman / fuck you @329da8rb: > Atlanta's Cee-Lo Green can rap, write, and produce in any freaky style like it ain't no thang. But as his Gnarls Barkley showcase "Crazy" made definitively clear, the former Goodie Mob-ster sings barrelhouse soul with an intensity that few mainstream figures of his generation can match. He's simultaneously operatic, wild, sophisticated, and Southern-fried because he's got big-lunged skills as primal as the gut-screaming feelings from which they emanate. Yet, until now, he's never focused solely on his most extraordinary asset. > > Green's first solo outing since the Gnarls Barkley breakthrough rectifies this by narrowing his scope to beautifully busy 21st-century Motown as greasy as it is vibrant.The Lady Killer sets stadium-size melodies, horns, strings, and machine-free beats to detailed encapsulations of Saturday-night transcendence and Sunday-morning love pains. As labyrinthine and huge as most contemporary R&B is stark and minimal, Green's collaborations with a host of American and European hit men (whose credits span from Bloc Party to Belinda Carlisle) suit him because they don't shy from his larger-than-life pipes. > > With brash, masterful aim, Green bypasses neo-soul's classy constrictions with instant (and substantial) classics like "Fuck You" and "Cry Baby." Throughout The Lady Killer, he hits his target cut after butt-shaking cut: no diversions, no filler – just rhythm and Day-Glo blues quintessence. More than ever, Green is the surreal deal. -
"Fuck You" es la canción más odiosa del año. Gracias a Spotify entre otros.
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El de Cee Lo está bastante chulo.
Suede me producen urticaria, lo peor del malnombrado BritPop con diferencia. -
lástima que tu criterio tenga nula validez. fan de oasis tenías que ser! el homónimo y el dog man star son más grandes que dos catedrales góticas juntas.
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@bruce_billis:334wanf3:
lástima que tu criterio tenga nula validez. fan de oasis tenías que ser! el homónimo y el dog man star son más grandes que dos catedrales góticas juntas.
Discrepo yo, y algunos mas
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@bruce_billis:3jjle35h:
lástima que tu criterio tenga nula validez. fan de oasis tenías que ser! el homónimo y el dog man star son más grandes que dos catedrales góticas juntas.
El primer disco de Oasis contiene más talento que toda la carrera de Suede, lástima que solo les durara para hacer un segundo de nivel parecido.
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bruceeee que no tira el de cee-lo y no lo encuentro por interné. ¿Alguien lo puede bajar?
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venid a mí… exiliados del mundo!
@Valderrama's:
bruceeee que no tira el de cee-lo y no lo encuentro por interné. ¿Alguien lo puede bajar?
sí que tira valde! tienes que ponerle el código captcha y esperar unos segundos para que se active la descarga.
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tal com raja:
LCD Soundsystem "London Sessions"
@1feynuxx:
us v them
all I want
drunk girls
get innocuous
daft punk is playing at my house
all my friends
pow pow
I can change
yr city’s a suckerhttp://hotfile.com/dl/81451673/9027731/L-458.rar.html -
y otro single de los japoandroides, con versión de PJ Harvey:
Japandroids "Heavenward Grand Prix / Shame""
@15jjpoui:
rock eufórico
http://www.mediafire.com/?a6wf3866opdkadp -
Muchas gracias por Japandroids y el directo de LCD!!
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@bruce_billis:vwjjh3vf:
venid a mí… exiliados del mundo!
@Valderrama's:
bruceeee que no tira el de cee-lo y no lo encuentro por interné. ¿Alguien lo puede bajar?
sí que tira valde! tienes que ponerle el código captcha y esperar unos segundos para que se active la descarga.
Ostias que torpeza de ser humano estoy hecho. Sí que rula, sí.
Déjalos que luego también queda este post sucio, coño.
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Aliment - S.T.
Debut de este trio (batería + 2 guitarras, por ahora) que se auto etiquetan como Beach Punk.
Lo primero al oírlos es pensar en Mujeres, etc y sí, pero yo quitaría un poco inmediatez de Mujeres para conseguir un poco de desasosiego y estructuras más tiquismiquis.
Aunque claro, nada como oírlo.Al rico (y gratis) Bandcamp: http://aliment.bandcamp.com/album/aliment
Gente como enjoi y Advent pueden certificar su directo.
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@Marniello:1ijv7qi4:
"Fuck You" es la canción más odiosa del año. Gracias a Spotify entre otros.
El otro día se la dediqué en el Facebook a un hijo de la grandisima puta.
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@FUN:1k42s7e7:
Muchas gracias por Japandroids y el directo de LCD!!
Suscribo lo dicho. Muchísimas gracias.
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@bruce_billis:1b5mv24p:
por la madre, cuánto temazo junto! es una pena que su bolo coincida con el pc porque los vería de buena gana.
suede - the best of suede (universal, 2010)
Aquí unos que harán doblete.
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@FUN:2fpcbbho:
El de Cee Lo está bastante chulo.
Suede me producen urticaria, lo peor del malnombrado BritPop con diferencia.insuperable!! no se puede decir mas con menos.
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