Electrónica

Pelukini

http://www.xlr8r.com/news/2010/11/stream-new-lone-album

FUN

Supongo que a los amantes del Dubstep que poblaís este foro os interesará este evento que he visto por Facebook:

PEARSON SOUND aka Ramadanman (UK, Hessle Audio)
UNTOLD (UK, Hessle Audio)
BEN UFO (UK, Hessle Audio)
SUBSOUND b2b SATTA B (BCN, B.LOW)
MC STORMY (BCN, B.LOW)
–--------------------------------------
Estamos felices de anunciar que la próxima B.LOW el jueves 9 de diciembre en la sala LOFT/Razzmatazz @ THE BUS será un especial dedicado a HESSLE AUDIO (UK). Este meta line-up incluirá PEARSON SOUND aka Ramadanman, BEN UFO y UNTOLD con el apoyo de nuestros residentes de la B. LOW famo, Subsound, Satta B y Mc Stormy.

Hessle Audio - con sede en Leeds y Londres - son, sin duda, uno de los sellos con visión de futuro (post)dubstep en el mundo y han lanzado ya toda una serie de clásicos underground. Su sonido es un crossover de dubstep y techno basado en las rítmicas bailantes y bajos súper potentes…
mas info en http://www.residentadvisor.net/feature.aspx?1006

We are happy to announce that the next B.LOW event on Thursday December 9 held at Razzmatazz @The Bus will be a special dedicated to HESSLE AUDIO (UK). The all-star line-up will include PEARSON SOUND aka RAMADANMAN, BEN UFO and UNTOLD with support coming from our B.LOW famo members SUBSOUND and SATTA B plus STORMY.

Hessle Audio - based in Leeds and London - are undoubtedly one of the most compelling and forward-thinking (post)dubstep labels in the world and have released a whole string of underground classics. Their sound is a crossover of dubstep and techno, based on dancing rhythms and powerful basslines...
find out more: http://www.residentadvisor.net/feature.aspx?100

Pelukini

Todas las fiestas The Bus se salen, esta especialmente, pero jueves, JUEVES!

manel

hessle audio mola mil, pero lo que hay en el cartel no me mata demasiado (excepto ramadanman). untold me enganchó mucho al principio, pero luego gñe.
jueves noche para mí es pantufla institucional

pruebamusicos

A mi el cartel no me mola mucho pero luego pasa lo que pasa, te dejas liar y pam.

FUN

Yo desde el dia de Orbison y Yoda, que fui a currar al dia siguiente muy jodido, no vuelvo a salir entre semana a menos que sea algo realmente imprescindible para mi como fue aquello, es una puta locura si tienes que darle al tarro al dia siguiente, y bueno, supongo que también me hago mayor….

Risingson

Es que, por ejemplo, para mí lo del Primavera Club no es excepción, es sacrificio!

Psychocandy

Nadie tiene por ahí el disco de Digital Mystikz?

mellow

@Psychocandy:1uhf3a5m:

Nadie tiene por ahí el disco de Digital Mystikz?

supongo que te referias al Return II Space no?

http://hotfile.com/dl/52399120/b01931c/Digital_Mystikz_-_Return_II_Space-(DMZLP001)-2010-320.rar.html

OX4

Uno de los grandes (tapados) del año.

Psychocandy

si!
gracias master

Carousel

@Carousel:3d4arkiv:

Forest Swords- Dagger Paths (2010)
http://www.megaupload.com/?d=6B3YBEMF

Ahora que FACT ha dado el primer puesto a "Olde English Spelling Bee" como sello del año, vuelvo a recomendar este disco. El single que sacaron hace menos también es cremita.

Edito: No es electrónica, lo puse aquí no se por qué. Bueno, ahora tendría una razón, Pariah lo ha remezclado…

FUN

Si no es electrónica que és ? que rollo?

Carousel

Drone, folk, psicodelia, dub, tiene algo de electrónica y aspecto en ocasiones como hecho por un beatmaker, pero no es lo que sobresale.

http://www.youtube.com/watch?v=XVjMNskpQzs

Carousel

Space Dimension Controller - Temporary Thrillz 2 x 12"

http://www.mediafire.com/?wvxb4hqdvhqp45u

SBTRKT - Step In Shadows 12", ep

http://www.mediafire.com/?uxdg2yb13ms2374

Carousel

Night Slugs Allstars Vol.1

http://hotfile.com/dl/85718158/404127c/Night_Slugs_Allstars_Volume_1.zip.html

lucy

Guau, carusel, te has pasado, qué grande! Ya sólo queda postear el nuevo de Lone y el de Andrea.Por cierto el "Multistability" de Mark fell lo acaban de postear en Nodata, para quien le interese.-

Carousel

Nuevo tema de Blake, este tio es cojonudo, se nota la formación clásica que tiene…

http://www.youtube.com/watch?v=0xHSbKAe ... r_embedded

Aquí para descargar:

http://www.mediafire.com/?uwwnw17i0l4yer7

FUN

Acabo de ver que el domingo tenemos al capo de Innervisions Dixon en Becool, de cabeza. :shock:

calltheranger

toma pedrolo!

bruce haack - farad: the electric voice (stones throw, 2010)

http://hotfile.com/dl/76963045/4b9e5f8/Bruce_Haack-Farad_The_Electric_Voice-(STH2221)-WEB-2010-DEF.rar.html
```@12gld6i0:

> Collected released and unreleased vocoder recordings, 1970-1982, from electronic music pioneer Bruce Haack.
> 
> Available now at stonesthrow.com / official release date: October 19
> 
> Up until now, the legacy of Bruce Haack (1931-1988) has only existed in the quirks, glitches, and audio signals of modern techno-luminaries such as Kraftwerk and Daft Punk, but unlike the aforementioned, Haack has been relegated to a position of relative obscurity. With Stones Throw’s collection Farad: The Electric Voice, the electronic music pioneer can hopefully be lifted into the spotlight of the Electronic music continuum.
> 
> J Dilla would be the one to enlighten us that Haack was something more than a just guest on the Mister Rogers Show. “I first heard Haack’s music through Dilla,” says Stones Throw founder and DJ, Peanut Butter Wolf, recalling a road trip he had taken with both J Dilla and Madlib. Haack had released the electronic-based acid-rock album Electric Lucifer in 1970, a conceptual piece that maps out a war between heaven and hell. “It really threw me off. It was this psychedelic, electronic stuff from the late 60s that sounded so futuristic.”
> 
> Haack's music is rooted in the idea that humans and electronic machines share a reciprocal relationship that manifests itself through sounds. In order to further explore this dynamic, Haack dropped out of Juilliard to pursue a more experimental course in, surprisingly, educational children's music. He later released material off his own label Dimension 5 Records in 1962, which allowed him to mix kinetic energy, infuse psychedelic philosophy, and pluck sounds from various genres across the board. Haack used homemade synthesizers, proto-vocoders, and the skin-touch sensitive Dermatron to expand his music into a realm of technological creativity.
> 
> Farad: The Electric Voice specifically focuses on tracks using Haack's self-made vocoder, which he named “Farad.” This was the one of the first truly musical vocoders, and first to be used on a pop album, pre-dating Kraftwerk’s Autobahn by several years.
> 
> The album includes out of print and un-released tracks accessed though negotiations with Haack’s estate. “We are excited by the thought of working with labels such as Stones Throw to see what happens when their selective audiences discover Bruce,” says Bruce Haack Estate director Philip Anagnos, who also designed this album’s artwork. “The estate is also very fond of the art of remixing and is intrigued by the notion that popular artists such as Kanye West and Thom Yorke may very well be on their way to discovering Haack for the first time.”