Filtraciones '11
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Rotor Perdition - Hard Limits
@1q0olm5o:
noisy synth pop
http://www.mediafire.com/?mrcaapj64b5gc0a -
Ford & Lopatin - Emergency Room EP [Software, 2011]
@1pbq4xy6:
It's fitting that pop collagists Games would release a track called "Emergency Room" right after (preemptively?) changing their name to Ford & Lopatin. Their new handle, after all, sounds more like a shifty ambulance-chasing law firm than the moniker of two qualified 80s jam excavationists. But more so than the name change, "Emergency Room" marks a noticeable for shift for Joel Ford (of Tigercity) and Daniel Lopatin (better known to most of us as synth warrior Oneohtrix Point Never). As groove-centered as the duo's debut EP, That We Can Play, was, those recordings feel like an exercise in fussy detailing and knob fiddling in comparison to the streamlined bodyrock that marks this first taste from Channel Pressure.
Laying down a bassline reminiscent of Gary Numan's robo-classic "Cars" and refining the overall bounce, "Emergency Room" pulsates with a synthetic joy that recalls forgotten B-movie soundtracks from the decade of excess. But a paranoid undercurrent offsets the lightness, as an array of synth effects and a spastic guitar solo poke at the track's elastic center. At points, the track reacts erratically, as if someone emptied a can of Tab in the motherboard. But all sense of danger is quickly smoothed, as a lobotomized voice urges, "Although I'm dinged up, voices are going away." Because in Ford & Lopatin's world, androids dream of electric boogaloo.
http://www.mediafire.com/?unqy0ark4hyb11l -
Alexander Tucker - Dorwytch [2011/Thrill Jockey]
@19ityqu4:
British experimental musician Alexander Tucker releases his Thrill Jockey debut Dorwytch in April 2011. This record breaks new ground for Tucker by combining minimalist string arrangements with electronic manipulations and drones to produce doom chamber-pop songs and psychedelic music-concrete collages.
Tucker’s sound has developed over the years since his first self-titled solo album, which featured acoustic finger-picking, experimental electronics and was released on Jackie O Motherfucker’s U-Sound Archives label. He went on to combine compositional song structures, drones, layered vocals and improvisations on his 2005 album Old Fog released on ATP Recordings. This collection of spectral moods, eerie landscapes and fragile emotions was followed by Furrowed Brow (2006) and Portal (2008), where the songs and melodies became more pronounced, whilst infecting the tracks with underlying drone currents, traditional finger-picking, doom riffs and David Crosby inspired harmonies.
Three years in the making Dorwytch finds Tucker refining his song craft and introducing minimalist string movements that build into dense spiraling riffs around his distinct vocals. With varied sounds and grandiose ideas, the album marries the abstract with more traditional song structures, using layering techniques to create the illusion of an ensemble. This album is the first time Tucker has used drums, collaborating with free improv drummer Paul May to create rhythmic improvised beats. Other guests include brooding blues songwriter Duke Garwood (Fire Records), singer-songwriter Jess Bryant and multi-instrumentalist, songwriter and producer Daniel O’Sullivan (Guapo, Aethanor, Miracles, Ulver).
The album’s themes run the gamut from abstract tales of the everyday, to the supernatural, to other-worldly experiences. Influenced heavily by the work of Alan Moore, songs such as “Matter” reference this directly with themes of metaphysical human/plant matter transcendence inspired by the comic Swamp Thing. Tucker is also fascinated by strange creatures conjured up in tracks such as “Half Vast” where he loops synth pulses to create blissed sonic atmospheres where organic spaceships give birth to plasmatic babies. Or pieces like “Skelator Blues” with chiming guitars and haunted vocals giving birth to skeletal beings who stalk the earth. There are some more mundane themes at work in songs such as “Mildew Stars” (the only one with traditional tunings) about childhood coastal holidays and his dad’s collections of musty old books, prints and found precious things.
In addition to being a solo artist Tucker continues to collaborate with Daniel Beban in their tape loop project Imbogodom (also on Thrill Jockey). Other bands include Grumbling Fur with members of Guapo and Circle. Past collaborative projects include duets with Stephen O’Malley on his Ginnungagap side project. Tucker is also a visual artist, creating artwork for all of his album covers and side projects, including ongoing paintings drawings, and comic artwork.
Dorwytch is a beautiful collection of songs, which show Alexander Tucker at the height of his creative talents. He is capable of creating immense sounds on such a grand scale that it is astounding to realize that it is (mostly) all the work of just one man. This album will beguile and entice the listener, placing Tucker at the forefront of the experimental pop landscape.
http://www.megaupload.com/?d=WCY1YZ7F http://www.megaupload.com/?d=OL05A0SA -
ohsome, cenk you
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Para postrockeros
This Will Destroy You - Tunnel Blanket
http://www.multiupload.com/JU5I32PO4O
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The Twilight Sad – Acoustic EP (2011) 320kb
**@wvx4e9oz:Indie Rock.
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Enorme, como todo lo que hacen los escoceses. Revision desnuda de buena parte de los mejores temas de su ultimo disco, incluida version de Suck de The Wedding Present.
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La recopilación de las filtraciones de abril:
http://www.mediafire.com/?w2gg8wbohb5cbkdDonde salen cosas de The Sea & Cake, Console, Grouper, Panda Bear, The Leisure Society, Battles, Chad VanGaalen, The Wave Pictures, Alela Diane, Girls Names, etc
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Ando un poco desconectado últimamente ¿Se ha filtrado ya el de Thee Oh Sees?
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que va, hay algunas canciones en su web para escuchar y el adelanto que salió la semana pasada en Pitchfork… me temo que nos vamos a estrenar con las canciones nuevas en directo. He leido por allí que tiene nuevo miembro, nada más y nada menos que el cantante de the Intelligence!!!
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**Weyes Blood and The Dark Juices - The Outside Room LP [2011]
http://www.megaupload.com/?d=2YLCQX1Q@20grrmay:
Limited edition of 480 copies Natalie Mering (Weyes Bluhd/Jackie-O Motherf*cker) presents a compelling debut solo LP of forlorn “narcotic drifter ballads” for NNF. ‘The Outside Room’ is like a haunting acid flashback to late ’60s Nico, only distorted by time and a drug-degraded memory. Undeniably her vocals bear a genuinely uncanny resemblance to the folk-pop heroine, a fact doubtless enforced by her musical morphosis from murky FX riddled experiments as Weyes Bluhd towards death-folk guitars, doom-laced drums and stark ambience. But it’s possibly the final mix and recording from The Shadow Ring’s Graham Lambkin which really brings her songs into bleakly spacious relief. However, it’s not like she’s totally abandoned her old sound, it’s just been rendered in a different, yet more sepulchral light and with more space to swoon and float between her ghostly words. Most notably, her anachronistic style really stands out from the warped, sideways futurism of NNF’s current crop, and feels far more like some exhumed classic. Includes 11 x 17″ lyric sheet and ace artwork by Mering herself. Highly Recommended!
**
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Si alguien sabe de las filtraciones de Cave In - White Silence o de Helms Alee - Weatherhead le pongo un gif de Rajoy esnifando crack dedicado.
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Su anterior disco me pareció de lo mejor del 2009. A ver que tal está este
The Antlers - Burst Apart
http://www65.zippyshare.com/v/38063002/file.html
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@el:
Si alguien sabe de la filtracion de Cave In - White Silence le pongo un gif de Rajoy esnifando crack dedicado.
yo la chupo directamente.
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más maravillosos delirios 'salmoneros' goteando desde el baúl
Andrés Calamaro "Salmonalipsis Now" (los 7 inéditos del recopilatorio)
@48eqkqdq:
pop-rock intoxicado
http://www.mediafire.com/?2p1b3677ltdhmsxpass: licuado
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murió…
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PANTALLA GIGANTE EN EL PRIMAVERA SOUND YA!!!
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@lamacq:30q58b43:
PANTALLA GIGANTE EN EL PRIMAVERA SOUND YA!!!
No os preocupéis que si eso depende de la uefa, la tendréis.
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Mountains "Air Museum" (Thrill Jockey, 2011)
@1ua3tvls:
"Air Museum" blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, the album manifests itself sonically as their most ''electronic'' record yet. Air Museum is also their first record that was made in a studio. Working in the studio expanded their possibilities, giving more room for experimentation. While much of the album was recorded in real time with minor editing, the band took the opportunity to utilize the studio as an instrument of sorts, investing a great amount of time in customizing their approach to post-production.
http://www.filesonic.com/file/895569114 -
Una recomendación de mi parte:
http://www.mediafire.com/?tma9ueammomwjxe
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