Filtraciones '12
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@Dan:
@baifo:1an78tf5:
uuuuuuuuuh… qué gente más dura... quejándonos ya de Maxïmo Park...
Yo no me he quejado que no se si la voz del tio o que pero no les había crucificado todavía.
Tras escuchar el disco ya he pedido los clavos por interne.
Mierda, pásate la dirección de la tienda de clavos, que yo vengo del Día de la Música y llevabais razón: RIP Maxïmo Park
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Sí tio, hasta mi novia reniega ya, jajajajaja.
Oigan, el de el Bonnie "Lescott" Billie pesa unos míseros 32MB, está grabado con trompetilla o es un EP?
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4 canciones Dan.
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@-Toxinho-:
Om - Advaitic Songs
http://uploadjet.net/b3wrchacfny2/Om-Advaitic_Songs-2012.rar.htm ```[/quote Hola chicos otro link para este de OM?? que no consigo descargarlo con este… Gracias -
@-Toxinho-:2i11pot1:
Om - Advaitic Songs
http://uploadjet.net/b3wrchacfny2/Om-Advaitic_Songs-2012.rar.htmEstaba buscandolo, Moltes gràcies
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old man gloom / no (hydra head, 2012)
http://www8.zippyshare.com/v/76925438/file.html ```style: a crushing hulk of **post-hardcore metallized sludge** that reaffirms their status as masters of the dissonant epic. @390cfoaj: > - Old Man Gloom is a supergroup (containing members of **Converge, ISIS, Cave In, Zozobra, Doomriders, Mamiffer**, etc.), but instead of making shitty records like other "supergroups", Old Man Gloom actually makes great ones. > > - "NO" is an undeniably great title for an album, and also serves as an ironclad manifesto in opposition to the moral and aesthetic decay of our global society. > > - This is Old Man Gloom's fifth album, their first in eight years. They weren't on hiatus, just busy writing the greatest album in music history. That makes them the proud progenitors of the five greatest albums of all time, "NO" being number one. "NO" is like "one", only spelled backwards and without the "E". > > - Old Man Gloom are playing shows in 2012 and 2013, just in time for the collapse of the global economy. > > - The acronym for Old Man Gloom is "OMG". "OMG" has become a household phrase since its introduction in to the popular lexicon in 1999, directly coinciding with the formation of Old Man Gloom the year prior. The group has never been properly credited for this massively important contribution to global culture. > > - "NO" was made using acoustic and electric instruments including but not limited to: sheet metal, toilets, human voices, guitars, drums, tambourines, shoes, hands, various other percussive tools, analog and digital electronic devices, and brains. [http://oldmangloom.bandcamp.com/](390cfoaj) -
vamos Bruce! esto no me lo esperaba.
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¿Qué coño hay que hacer en el rapigato ese para bajarse algo sin tener que meter movidas de ningín tipo? ¿o soy yo ?
últimamente no me bajo nada por la mierda servidores de descarga actuales, con lo sencillo que me parecía todo antes (todo esto sumado a los hdp de mi curro que me capan cosas y lo complica todavía más)).
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@ForSilence:28l31exx:
¿Qué coño hay que hacer en el rapigato ese para bajarse algo sin tener que meter movidas de ningín tipo? ¿o soy yo ?
instrucciones de uso para enlaces rapidgator:
- clicas en "low speed download"
- esperas los segundas que hagan falta (≈30'')
- escribes el codigo captcha y aceptas
- clicas en "here to download"
- easy as life
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@bruce_billis:3gt2r9wl:
@ForSilence:3gt2r9wl:
¿Qué coño hay que hacer en el rapigato ese para bajarse algo sin tener que meter movidas de ningín tipo? ¿o soy yo ?
instrucciones de uso para enlaces rapidgator:
- clicas en "low speed download"
- esperas los segundas que hagan falta (≈30'')
- escribes el codigo captcha y aceptas- clicas en "here to download"
- easy as life
Si parece todo así de fácil, hasta el punto en negrita, el problema es que no me aparece ningún captcha. Entonces mi no saber, debe ser problema de capamenta de los cojones.
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Prueba con el programa jdownloader.
http://jdownloader.com/
(No todos) pero algunos captchas te los reconoce automáticamente. O con suerte, igual no está capado y los puedes meter ahi. -
The Dirty Projectors - Swing Lo Magellan
http://www.mediafire.com/?raa6fg1oog3ai29
–--------
Micachu and the shapes - Never
http://www.mediafire.com/?xy6r0yn5oaaly05
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Toxinho es Dios
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@karramarro:3798wm0a:
Prueba con el programa jdownloader.
http://jdownloader.com/
(No todos) pero algunos captchas te los reconoce automáticamente. O con suerte, igual no está capado y los puedes meter ahi.Lo primero que tengo capado, lo que no se es como me dejan este foro…
Nos bajaremos las cosicas en casa, no hay más remedio.Sitio web bloqueado por Trend Micro Worry-Free Business SecuritySitio web restringido bloqueado
http://jdownloader.com/
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Comprendo los riesgos y deseo continuar la exploración
Copyright © 2006-2010. Trend Micro™ Incorporated. Reservados todos los derechos. -
the beach boys / that's why god made the radio (capitol, 2012)
http://rapidgator.net/file/21141684 ```@2ms7okgx: > To celebrate their **50th anniversary**, Beach Boys Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks reunited in Los Angeles’ Ocean Way Studios for That’s Why God Made The Radio, the **band’s 29th studio album**, the first in decades to **feature all of the band’s surviving original members**. **Produced by Brian Wilson** and executive produced by Mike Love, the album’s eleven songs illustrate The Beach Boys’ unique and evocative West Coast story with the band’s timeless signature sound. -
@bruce_billis:2sslbceb:
old man gloom / no (hydra head, 2012)
Anda que no me ha molado enterarme de este regreso. He ido a buscar el vinilo, que justo salió ayer, y ya estaba agotado… Suerte de amazon (o no, que estos van a acabar hundiendo a todas las tiendas).
No tenía idea de que tuvieran tantos atentos seguidores, años después.
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wymond miles / under the pale moon (sacred bones, 2012)
http://www.mediafire.com/?89v3a0q32rn8de2 ```@c0uvjy1b: > Wymond’s previous EP, Earth Has Doors was about intangible and esoteric concepts; the music drifted beautifully in somewhat of an oceanic, boundless state. For the LP it was very important for him to make the songs be felt somatically. In his own words, “I wanted it to hit the body, I wanted it carnal.” Whereas the EP had been a drawn out labor of love he worked on and then shelved for several years, most songs on Under the Pale Moon developed quickly last winter. He describes them as being effortless to write, short songs with stripped down arrangements; recorded straight away as soon as they came to him. Feeling very raw and alive, he wrote the basic structure for most of the record within a few weeks. > > He had the chords and melody for album standout “Singing the Ending” when last year began to take a cathartic turn. In a short span of time his closest friend was killed and he lost some family members. Without much time to deal with grief, he immediately had to tour Europe with the Fresh & Onlys for two months while still basically in shock. He became filled with an ardor for life and seeing the record through. The loss had emerged as a purifying fire and manifested not as a morose lament on tragedy but as a feverish grindstone of passion, dissent, desire, and an apolitical rebellion cry against the bondage of established order. While never overtly attempting to address his influences, the listener can hear a bit of Go-Betweens, Echo & the Bunnymen, Nick Cave, Nikki Sudden and The Cure present in his work. Miles creates a big romantic pop record reminiscent of Roxy Music at the height of their power. Under the Pale Moon is a gorgeously dramatic and romantic debut; a focused departure from his work in the **Fresh & Onlys**, he emerges as innovative songwriter with limitless pop potential. [http://www.sacredbonesrecords.com/releases/sbr080/](c0uvjy1b) ____________________________________________ **jaill** / **traps** (sub pop, 2012) http://rapidgator.net/file/19583575
> When Jaill nonchalantly stepped into the room with 2010’s That’s How We Burn, the group had already turned out a small catalog of self-recorded and self-released albums and EPs. Sub Pop first heard the band on an LP bought through the mail, the cover still hot from the Kinko’s copier. And as that record (2009’s There’s No Sky (Oh My My)) demonstrated, Jaill’s Vinnie Kircher is equally comfortable crafting songs that either amble up slyly, or tumble out pell mell, with lyrics that betray his English major background. SPIN said of That’s How We Burn, “What elevates their debut beyond your average twee-punk rager is the gentle psych dabblings: extra delay on a guitar solo, an errant ‘ooh-ahh-ooh,’ a dubby Panda Bear flourish, and the swirling noise that murmurs through the background of the cheerful ‘Snake Shakes.’” > > Recorded throughout 2011 in Kircher’s crummy, poorly lit basement, with minimal gear and a control room of thrift store afghans, and mixed at NY’s Rare Book Room by Nicolas Vernhes, Jaill’s latest mangled masterpiece is entitled Traps. An acerbic exercise in both humility and aggression that transcends the humble environment of its creation, Traps finds the Milwaukee-based **psych-pop** three-piece confronting a malfunctioning universe with an inventive, lean and, dare we say, excellent 11-song album. > [http://www.subpop.com/releases/jaill/full_lengths/traps](c0uvjy1b) -
A flipar
Mission Of Burma – Unsound
http://rapidgator.net/file/21517596/mobu-12.zip.html
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@-Toxinho-:376i9l2m:
A flipar
Tanto que mis elucubraciones me hacen pensar que irán al ATP de los Shellac (hasta que éste quede cancelado o pospuesto) y al PC.
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