Filtraciones '12
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Un re-up de la copia en buena calidad, please?
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El de Tame Impala a buena calidad todavía nada, no? Porca vida.
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Taken By Trees - Other Worlds
http://www.henchfile.com/45h74jxgtfbm -
The Jon Spencer Blues Explosion - Meat and Bone
Tracklist:
01 – Black Mold
02 – Bag of Bones
03 – Boot Cut
04 – Get Your Pants Off
05 – Ice Cream Killer
06 – Strange Baby
07 – Bottle Baby
08 – Danger
09 – Black Thoughts
10 – Unclear
11 – Bear Trap
12 – Zimgar -
@karramarro:1j1jpk7p:
The Jon Spencer Blues Explosion - Meat and Bone
Tracklist:
01 – Black Mold
02 – Bag of Bones
03 – Boot Cut
04 – Get Your Pants Off
05 – Ice Cream Killer
06 – Strange Baby
07 – Bottle Baby
08 – Danger
09 – Black Thoughts
10 – Unclear
11 – Bear Trap
12 – ZimgarEs del streaming de la Rolling stone, pero se oye bastante bien.
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Alguien ha encontrado ya el nuevo de NEUROSIS ???
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El de JSBX ya murió!
La cagada.
-G.
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John Frusciante - PBX Funicular Intaglio Zone
http://www.mediafire.com/?ni05r6h1j1tr9he
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jur jur…
hace dos meses vinieron los TOY a palma y nadie les hizo ni puto caso...http://rocksblog.tumblr.com/post/27254790114/residents-report-mallorca-rocks-2nd-birthday-with
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levek / look a little closer (lefse, 2012)
@38g6xzvs:
Smooth as a playboy mansion afterparty back in the 70ies…a young Curtis Mayfield with a dash of Moon Safari...Florida based David Levesque aka Levek, makes warm, sexy and often acapella songs for in between the sheets or covered in a golden sunset...
Sonically, Look A Little Closer is the amalgamation of the tenderness of Bridge Over Troubled Water and the funky 70s Blaxploitation attitude. On the lead single “Black Mold Grow,” soaring harmonies bleed into a soulful disco swagger, a perfect contrast to the slinky bossanova-esque “Terra Treasures.” It’s a pastiche of genres that live harmoniously in unison on record and in the mind of the man behind Levek. “The inspiration,” Levesque says quite matter-of-factly “was just to make an album that I’ve always wanted someone else to make. Something that I would enjoy listening to.”
http://www.lefserecords.com/artists/levek/
stealing sheep / into the diamond sun (heavenly, 2012)
@38g6xzvs:
What’s in the water up on Merseyside? It’s as if there’s an endless source of almost psychedelic otherness running deep beneath the place. It’s there in the music of everyone from the La’s to Ladytron; an off-kilter wonder that sets the place and its art apart from the rest of the country.
Stealing Sheep are very much a group channelling that source. You could hear it in their first recordings, released collectively as the Noah & The Paper Moon e.p. And its there flowing throughout their debut album proper, Into The Diamond Sun, a collection of songs that don’t so much defy genres as gleefully hand-pick the most mellifluous elements of everything from voodoo folk, DIY pop, post punk and analogue electronica, and stitch them together into a glorious harmonic whole.
http://heavenlyrecordings.com/category/records/
teen / in limbo (carpark, 2012)
@38g6xzvs:
Since 2002, TEEN's lead singer/songwriter, Teeny Lieberson, has been playing in bands around New York City, eventually becoming the keyboard player for the indie-psych band Here We Go Magic in 2008. During a hiatus from the band in the winter of 2009, Teeny wrote a five-song EP Little Doods, the foundation of TEEN's full-length, In Limbo. Working with many of the songs written that winter with the desire to expand the sound from four-track/lo-fi to a fully flushed out sound, Teeny recruited her sisters, Lizzie and Katherine, along with long- time friend, Jane Herships and best friend since childhood, Maia Ibar, to become members of TEEN.
TEEN spent the summer of 2011 recording In Limbo in Maia's family barn in rural Connecticut, engineered by Jen Turner of Here We Go Magic.
In Limbo was mixed and produced in collaboration with producer Pete Kember (Spacemen 3 / Spectrum). Kember, a.k.a. Sonic Boom, first heard the band via an early video while he was mixing Panda Bear’s Tomboy at Blanker Unsinn studio in Brooklyn, and after hearing some demos, signed up to produce a full LP of their material as soon as possible.
http://www.carparkrecords.com/index2.html
the limiñanas / crystal anis (trouble in mind/hozac, 2012)
@38g6xzvs:
New CD - Liminanas - Crystal Anis - Hooray! The Liminanas usher in their follow up to their stunning self titled debut on Trouble In Mind. HoZac is behind this beauty and has all the details here:
"And here it is folks, the sophomore LP outing from the French breakthrough underground sensations, The Limiñanas, who are embarking on an even darker journey on this voyage into the stickiest, most vulnerable parts of your brain. After triumphantly completing their maiden US tour last year and proving to the world how effortlessly they capture their recorded essence in a live setting, they have returned with Crystal Anis, an LP brimming with perfect, humming, fuzz-filled effervescent pop so alluring and seductive in it's most intimate points that it's easy to get lost as the heavenly sounds rush over your soul. It's a perfect slice of modern French Ye-Ye gone underground, conjuring a dimly-lit atmosphere where the long lost transcendent sounds of The Factory intersperse with modern noir nuances to unbelievable effect. This is the Limiñanas hitting their compositional peak stride, with lush instrumentation, building on their signature thick-accented tension, all properly enveloped within their monumentally textured songwriting style. 'Heavenly' doesn't even begin to describe it, but it's a great place to start.On Crystal Anis, The Limiñanas are at the top of their game, crafting a highly-stylized sound that's impeccably classic and undeniably modern, with their hypnotic beat and enchanting vocals, proving that once those hooks set in, it's just impossible to resist."
The Liminanas modern Ye-Ye and fuzzed French pop travels to a darker plane on "Crystal Anis" and that suits us just fine. "Crystal Anis" finds the band further honing their chops to create some of the most compelling modern pop we've ever heard. Their sultry French croon tickles your ear holes in flirty manner giving you goose bumps further reeling you in to their chilled out vibe seduction. Bonus, features guest appearance by avant French composer Pascal Comelade. HoZac releases yet another stunner here that is sure make some year end lists we're certain. Super Recommended.http://shop.permanentrecordschicago.com/index.php?product=N-CD+Liminanas+-+Crystal+Anis
how to dress well / total loss (weird world, 2012)
@38g6xzvs:
Recorded over a span of 15 months in Brooklyn, Chicago, Nashville and London, Krell says that period of time was a long year that he spent “very unhappy and confused. I found myself feeling stranded, alone and depraved, and generally run the fuck down…while writing these songs I was trying to learn to lose in a meaningful way and to sustain loss as a source of creative energy”. Ergo, where Love Remains was a study of love in its darkest hour, Total Loss is an attempt to find one’s way out of darkness, even when there seems to be no light ahead. Co-produced by Rodaidh McDonald (the XX, King Krule), the album touches on many of the same sounds as Love Remains but incorporates a range of other influences and showcases Krell’s evolution as an artist. The increased fidelity of these recordings also highlights Krell’s arrangements and graceful voice in ways Love Remains had only hinted at.
http://www.weirdworldrecordco.com/releases/total-loss/
band of horses / mirage rock deluxe edition (columbia, 2012)
@38g6xzvs:
The follow-up to 2010's Grammy-nominated Infinite Arms, Mirage Rock is the first Band of Horses record to be produced by Glyn Johns, who was inducted into the Rock and Roll Hall of Fame this year in recognition of his work with The Beatles, Bob Dylan, The Rolling Stones, The Who, Led Zeppelin, The Faces, Eric Clapton and too many others to list. Recorded at Sunset Sound in Los Angeles, Mirage Rock is arguably Band of Horses' most cohesive and accomplished set of compositions and performances to date.
Bonus CD featuring 5 songs from El Paso sessionshttp://www.bandofhorses.com/uk/node/2078
the jon spencer blues explosion / meat + bone (boombox/mom+pop, 2012)
@38g6xzvs:
It's been eight years since the Jon Spencer Blues Explosion's last record and, on September 18th, they'll end that silence with their speaker-scorching new effort, Meat and Bone. Recorded on Sly Stone's own "Riot" Flickinger console at the Key Club Studio in Benton Harbor, Michigan, the crunchy new LP finds Spencer, Judah Bauer and Russel Simins returning to their scuzzy blues basics with tracks like "Bag of Bones," "Danger" and the excellently-titled "Ice Cream Killer."
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B. Fleischmann - I’m Not Ready For The Grave Yet
http://ultramegabit.com/file/details/gHMYfUYifDQ -
Mil gracias por los de JSBX, Limiñanas y el de Stealing Sheep. Este último me parece interesante por la descripción. A explorar.
-G.
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ahleuchatistas / heads full of poison (cuneiform, 2012)
@29p8ldr1:
North Carolina instrumental rock duo Ahleuchatistas belong to the beyond-category sector of such iconic, genre-flouting combos as John Zorn’s Naked City, Captain Beefheart’s Magic Band, Swans, Tortoise, and Sun City Girls.
On their seventh album and third for Cuneiform, Ahleuchatistas’ Heads Full of Poison is a sonic brew that reveals new flavors, new spices with every aural taste. Now a duo of charter member Shane Perlowin (guitar and bass) and Ryan Oslance (drums), Heads Full of Poison was developed over a two year period, road-tested and honed with numerous performances, including nearly 100 in Europe. The music was altered, edited, and embellished at nearly every gig with improvisational possibilities explored at length. The music combines highly detailed composition with a looseness that encourages a range of interpretation. Each track was recorded live in the studio. Oslance performed all the drums and percussion live with zero overdubs. Perlowin produced the various guitars and bass tracks to impart the richness and detail of a conceptualized studio album, but the basic tracks are performed live. By the time of the recording in January and February 2012, the music had been given ample time to ferment, so the performances captured are as close to perfection as possible, with technical hurdles surmounted, the sonic palette settled upon, each note and beat executed confidently and with nuance.
http://www.cuneiformrecords.com/bandshtml/ahleuchatistas.html
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merci, billis!
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Lightning Bolt – Oblivion Hunter (2012)
http://uploaded.net/file/ue1uhtnx -
Hello. And Bye.
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SUNFLARE - Ghetto Blast LP (Bat Shit Records, 2012)
@7hy5ep04:
http://www.mediafire.com/?xzeyudkepqjjv1d
Sunflare- Ghetto Blast LP. Seemingly out of nowhere this heavy (and I mean HEAVY) psych punk band emerged from Portugal. Hands down my favorite psych outfit I've heard in SEVERAL years. This new album presents two massive side-long freak-outs that fully deliver on the promise of dishing the goods. The rhythm section is just brain-buzzingly primitive, while the guitar is completely over the top, all soloing, all fuzz, all wah-wah and everything I dig about a psych record.
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Disco de pop tranquilo con algo de psicodelia. Colaborador habitual de White Magic, Cass McCombs, Haunted Graffiti, Danielson o Deerhoof.
Chris Cohen - Overgrown Path [Captured Tracks]
http://www12.zippyshare.com/v/2302920/file.html -
Gracias a la gente que se toma la molestia de colgar los discos, siempre hay que decirlo mas.
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Chris Cohen muy jefe!
Estuve hablando un buen rato con él cuando vino con White Magic (tocaba la batería, el típico batería que ves que no es un batería), un tio muy majo y con una amplitud de miras muy grande, freak de la música, fan de Beefheart y Fahey.
A ver qué tal el discoGracias, chatos!
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