Filtraciones '13
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Vuelve, Santana vuelve por Navidad! (cántese con la melodía del anuncio de los turrones).
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Yo también quiero ser guai:
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feliz año amigos!
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siento interrumpir
Nosaj Thing / Home [2013]
AMBIENT, ELECTRONIC, EXPERIMENTAL, GLITCH, HIP HOP
http://uploaded.net/file/i7916hr8http://rapidgator.net/file/67187320/NTH.rar.html
http://freakshare.com/files/8loswo33/NTH.rar.html ``` -
@reh:
siento interrumpir
Buuuuuuuuuuu…. a la hogueraaaaaaaaaaa!!!
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Ei que me acorde del foro al ver el anuncio de Santana para los supermercados Macy en USA.
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Faltabas tu, el más gracioso de todos, venga, ahora ya podemos seguir con la temática del hilo.
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os dejo los otros dos discos que nuestro hombre edito por sorpresa el pasado dia 1, que son respectivamente los albumes 33 y 35 de su carrera, siendo el 34 el que colgo toxinho el otro dia.
omar rodríguez-lopez / equinox (rodriguez-lopez, 2013)
http://omarrodriguezlopez.bandcamp.com/album/equinox
omar rodríguez-lopez / unicorn skeleton mask (rodriguez-lopez, 2013)
http://omarrodriguezlopez.bandcamp.com/album/unicorn-skeleton-mask
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Lisa Germano - No Elephants
http://www64.zippyshare.com/v/85990040/file.html
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broadcast / berberian sound studio: original soundtrack (warp, 2013)
@z58tm29j:
The Broadcast soundtrack to Peter Strickland’s award-winning ‘Berberian Sound Studio’ has finally been given a release via Warp and credited to both James Cargill and the much missed Trish Keenan. Working closely with the film’s supervising sound editor, Joakim Sundstrom, James Cargill started work on the material with Trish prior to her untimely passing in 2011, realising some of the uneasiest, phantasmagoric themes and atmospheres in their immaculate oeuvre. In so many ways it’s the perfect vehicle for Broadcast to explore their nefarious influences and interests intersecting Italian horror films and the pioneering sonics of Ennio Morricone and Bruno Nicolai. Working to a complex, inception-like meta-narrative revolving about a “British sound recordist’s slowly degenerating mental state while working in an Italian film studio”, they weave original foley and dialogue from its eccentric, sinister characters into 39 kaleidoscopic cues and themed fragments, patching eerie harpsichord waltzes next to lysergic organ vamps, spine-creeping Moog atmospheres, miasmic chorales and blood-curdling screams, all with a drifting, trans-dimensional quality and that dusty sort of articulation unique to Broadcast’s anachronistic oeuvre. It plays like a library record, but there are flashes of classic Broadcast that shine through, from the “Work And Non Work” era romanticism of “The Equestrian Vortex” to the gorgeous skittering “The Sacred Marriage” – resulting in a record that not only fulfils it’s brief, but which also offers a tantalising glimpse at what might have been.
http://warp.net/records/broadcast/berberian-sound-studio-soundtrack
mount moriah / miracle temple (merge, 2013)
@z58tm29j:
Fiercely contemporary yet rich with classic influences, Mount Moriah’s Miracle Temple sports bigger arrangements, louder guitars, bolder vocals, and more soulful rhythms than their acclaimed self-titled debut.
Through their artful personal storytelling, the band develops a piercing portrait of a “New South” where progressive traditions are still fitfully breaking free from conservative ones.http://www.mergerecords.com/store/store_detail.php?catalog_id=913
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@bruce_billis:k62weo45:
broadcast / berberian sound studio: original soundtrack (warp, 2013)
Tómame
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