Filtraciones '14
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VVAA "Bob Dylan in the 80s: Volume one"
@1wuxyofp:
1. Langhorne Slim & The Law - "Got My Mind Made Up"
2. Built To Spill - "Jokerman"
3. Reggie Watts - "Brownsville Girl (Reprise)"
4. Craig Finn (The Hold Steady) - "Sweetheart Like You"
5. Ivan & Alyosha - "You Changed My Life"
6. Deer Tick - "Night After Night"
7. Dawn Landes & Bonnie 'Prince' Billy - "Dark Eyes"
8. Tea Leaf Green - "Waiting To Get Beat"
9. Aaron Freeman of Ween & Slash - "Wiggle Wiggle"
10. Elvis Perkins - "Congratulations"
11. Hannah Cohen - "Covenant Woman"
12. Marco Benevento - "Every Grain Of Sand"
13. Yellowbirds - "Series Of Dreams"
14. Blitzen Trapper - "Unbelievable"
15. Lucius - "When The Night Comes Falling From The Sky"
16. Glen Hansard - "Pressing On"
17. Carl Broemel (My Morning Jacket) - "Death Is Not The End"http://uploaded.net/file/s4ka3z49/VA-Bob_Dylan_in_the_80s_Volume_One_2014_MP3_320kbps_Beolab17.rar -
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OFF! - Wasted Years [Vice]
Hardcorehttp://www9.zippyshare.com/v/10546165/file.html http://uploaded.net/file/xla4hn4k -
¿Quien será el valiente que filtre el de Nacho Vegas Resituación?
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@Swanson:3iekxuvj:
Avey Tare's Slasher Flicks - Enter the Slasher House (2014, Domino Records)
Proyecto de Avey Tare (Animal Collective), Angel Deradoorian (ex Dirty Projectors) y Jeremy Hyman (ex Ponytail)
@3iekxuvj:Slasher Flicks by name alone is not what it appears to be. Scrambled horror film soundtracks? Not even remotely. A bunch of East Coasters making their quintessential LA album? No, more like escape from LA, say guitar-wielding lead singer Avey Tare (of Animal Collective), keyboard player and singer Angel Deradoorian (of Dirty Projectors, Deradoorian), and drummer Jeremy Hyman (of Ponytail, Dan Deacon). If LA is an environment to get lost in, as they claim, this group sewing roots in SoCal have become lost in the best way: relocating and reinventing sounds they’re already skilled in making, sounds that as Avey Tare says, are not only regionally unrestricted but that “come from a place that’s not human.”
Having composed the bones of these eight songs on acoustic guitar, Avey Tare invited Deradoorian to create melodic lines to flesh them out. Then, enter Hyman, whose backgrounds in painting and music proved his rare combo of flexibility and acuity, “free but structured”. Uniquely its own “jazz power trio,” Slasher Flicks produced and recorded the songs live at the Lair studio using only minimal overdubs; the live sound being key to Slasher Flicks’ spooky dynamism.
While their sound is monstrous and there are nightmarish moments peppering the lyrics and melodies, Little Fang’s clean guitars, soft everything and special smoke called "PYT" blown into the tape machine shows off spirits conjured from sweeter worlds.
http://www38.zippyshare.com/v/15284582/file.html ```[http://youtu.be/D6cngTn2_NY](http://youtu.be/D6cngTn2_NY)A este le faltaba la pista 8, aquí lo subo completo
http://www6.zippyshare.com/v/59942116/file.html -
los dos adelantos provocan cero emoción, pero se le dará una oportunidad:
Nina Persson "Animal heart"
@26jeuj12:
pop
http://uploaded.net/file/lrn0fvxc/Nina_Persson_-_Animal_Heart_ -
Amen Dunes "Love" (Sacred Bones Records, 2014)
tags: Folk, Psicodelia, Setas, andar descalzo por la hierba
https://www.oboom.com/#L40NS64U/SBR-113.zip -
Lo recogido de febrero y marzo en un solo mix:
http://rapidshare.com/share/51C27856CC6C2CD22111D52F85212F2A ```Con cosas de Mac DeMarco, St. Vincent, Liars, Future Islands, Pure X, Shocking Pinks, Real Estate, Chad VanGaalen, Sun Kil Moon, Juan Wauters, Speedy Ortiz, … y la versión reducida del espotifai:http://open.spotify.com/user/suitaloon/playlist/6AVW7igjd1fvOtXAOvRpTz
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**Woods - With Light And With Love (2014)
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@3kn4q9hk:
Pepinazo.
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Estos qué hacen?
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Pop psicodélico guay.
Vienen en septiembre a El Sol/Apolo, y creo que monta el Primavera ambos.
Aquí uno de los últimos adelantos que publicó el sello: https://soundcloud.com/woodsist/woods-leaves-like-glass
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Ah vale muy bien, pués no cuesta nada poner eso antes.
Gracias por la información. -
Mea culpa, lo siento.
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@StainedZurich:3f14sviw:
Pop psicodélico guay.
Vienen en septiembre a El Sol/Apolo, y creo que monta el Primavera ambos.
Aquí uno de los últimos adelantos que publicó el sello: https://soundcloud.com/woodsist/woods-leaves-like-glass
de su web:
09/13 El Sol – Madrid (ES)
09/14 Caprichos de Apolo – Barcelona (ES) -
Gracias por el de Woods! GANAZAS
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The Faint "Doom abuse"
@3p7al5ry:
post punk, electro-rock
http://ul.to/ytr34rri password: pssdqué recuerdos razzmatazzeros, los hits añejos de esta gente! –>
https://www.youtube.com/watch?v=4f7tgprbjtg&feature=kp
https://www.youtube.com/watch?v=HAR84NLSWJI
https://www.youtube.com/watch?v=fcTKXMGKGeQ -
Alguien ha encontrado por ahí el nuevo de BOB MOULD????
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os dejo un par de cositas ricas:
sean nicholas savage / bermuda waterfall (arbustus, 2014)
style: outsider pop
▼ download | 320kbps
@2t83cnfo:
Bermuda Waterfall is the new album from Canadian singer-songwriter and ballad composer Sean Nicholas Savage and will be released May 12th. Savage’s gift for bracing, timeless song craft and prowess as a philosopher reaches a new zenith with Bermuda Waterfall, which presents 12 tightly written pop songs packed with rich musical depths and devastating emotional gravity.
The album offers listeners the opportunity to observe the fascinating evolution of a truly one-of-a-kind artist and confident expansion of his artistic palette. ‘Darkness’ and ‘The Rat’ see cinematic piano imbued with chilling honesty. ‘Heartless’ and ‘Hands Dance’ are carried by Spanish guitars and wouldn’t feel out of place in an out of place John Hughes film, albeit a decidedly unusual one. Elsewhere, ‘Empire’ and ‘Some Things Never Die’ see Savage’s lush signature harmonies hover longingly over new romanticist soul.http://arbutusrecords.com/?shopp_product=sean-nicholas-savage-bermuda-waterfall
fear of men / loom (kanine, 2014)
style: indie pop
▼ download | 320kbps
@2t83cnfo:
Fear of Men release their debut album which is full of well written songs about love and loss. This album is a perfect setting for anyone that was truly in love with the soft, yet beautiful side of 90's indie female fronted pop. The title of the album both alludes to the interweaving textures that run throughout the record and references the darkness that hovers above much of Fear of Men's output. Rather than simply marrying a handful of influences, Fear of Men designs their music from an almost uncomfortably personal place. Weiss broadcasts crippling disconnection, boredom and sexual dread with all the dour verve of a young Morrissey. The band flit between dire philosophical observations and listless melancholia, riding melodies so carefree that anguished sentiments come off more like lazy sighs. The songs owe as much to the writing of Anais Nin or Fassbinder's films as they do to the cold sonic atmospheres of the Chills or Broadcast. Classical instrumentations appear throughout "Loom", warped and distorted alongside musical saws and backwards guitars, giving a sense of the
imperfect to the album's pristine pop melodies.
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