Filtraciones '14
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Bastante entretenido el de The Skygreen Leopards. Aun sin ser ninguna barbaridad, yo no lo tildaría de sunshine pop, más bien folk-rock costa oeste, un poco rollo Woods, a los que acompañan de gira por USA. A ver qué tal el nuevo de Half Japanese; el que me ha sorprendido gratamente es el de Jad Fair & Danielson:
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ya hombre ya, tampoco pretendo ser riguroso ni sentar cátedra cuando pongo el estilo. leí lo del sunshine pop en alguna crítica al disco y me hizo gracia. además editan los propios woods en su sello así que con eso uno ya se puede hacer a la idea de por donde van los tiros. la verdad es que me sorprende que comentes algo cuando aquí por lo general la penya ya solo se pasa a saquear. se agradece, marni.
por cierto, ya que estamos, no tendrás un enlace a mano del de jad fair & danielson?
y ya de paso te dejo este otro que me acabo de encontrar:
matt kivel / days of being wild (woodsist, 2014)
style: woodsist rock
▼ download | 320kbps
@1a91h8te:
Days of Being Wild was recorded over the course of six weeks in the summer of 2013 with Paul Oldham in a small detached shed in Los Angeles. The album art features original drawings by Max Markowitz.
“I had worked with Paul on the last record I did, 2013′s Double Exposure, and I was lucky because he decided to move to LA right after that record was finished. My friend Brian Cosgrove has this house in the Echo Park hills, kind of a punk house where everyone who lives in it plays in bands. It’s got a front porch with a refrigerator on it and it’s got a one room shed in the back where bands rehearse. A lot of bands have rehearsed there over the years. Paul and I started meeting there over the summer and I would buy Paul beer. We drank whiskey on the first day, but I think we both got too drunk to do anything productive-well, at least I did, Paul’s from Kentucky, so he has an even higher threshold-so we switched to beer and things went smoothly from then on. I played most of the instruments, Paul played bass, and my friend David Kitz joined in on drums for two of the harder songs. Paul told me some great stories about all of the musicians he’s worked with over the years. He even told me the secret to “I See a Darkness”-Bunny Wailer’s “Blackheart Man.” Supposedly he and Will were listening to that a lot when they made that record- one of my favorites. So, I started listening to it myself. It’s fantastic. When I wrote these songs I was trying to do something that felt more social, something that reached out a little bit more to other people and that’s why there are more drums on it. People like to rock! I also wanted to use more electric guitar. I was listening to the radio a lot at this time. I was really sick of my record collection and I started listening to the classic rock stations and for the first time I really started enjoying that music- Led Zeppelin, Tom Petty, The Cars, Fleetwood Mac- I was really feeling that stuff. My friend Eric Deines told me that some of the songs feel like, “super-minimal, outsider transmissions of ‘Jesse’s Girl’,” and I kind of like that.” -Matt Kivel
http://www.woodsist.com/catalog/12/matt-kivel-days-of-being-wild-cdlp-2/
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@bruce_billis:agflw02l:
@FX:agflw02l:
shabazz palaces - lese majesty
FX, es un transcode de la versión a 128kbps que rula desde hace una semana por el internet
lo suponía, pero pudo el ansia.
el disco cumple de sobra con las expectativas. aunque no sea una revolución musical, hay mas chicha y es mucho mas variado que "black up".
a ver si se pasan por la península a presentarlo. cuando les venga bien. -
@bruce_billis:3lg9ot4z:
ya hombre ya, tampoco pretendo ser riguroso ni sentar cátedra cuando pongo el estilo. leí lo del sunshine pop en alguna crítica al disco y me hizo gracia. además editan los propios woods en su sello así que con eso uno ya se puede hacer a la idea de por donde van los tiros. la verdad es que me sorprende que comentes algo cuando aquí por lo general la penya ya solo se pasa a saquear. se agradece, marni.
por cierto, ya que estamos, no tendrás un enlace a mano del de jad fair & danielson?
He buscado, con mis recursos tirando a pedestres, pero nada. Está en bandcamp, eso sí: http://danielson.bandcamp.com/album/jad ... gold-heart
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En Soulseek también está
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http://www.mirrorcreator.com/files/IR7QU6ZB/SolidGold2014.rar_links -
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Venía buscando el nuevo de OOIOO y como no lo he visto he ido a otros sitios.
En No Data está.
OOIOO - Gamel [Thrill Jockey, 2014]
Por cierto, Yoshimi ahora se llama Yoshimio. No. No se ha cambiado de sexo, solo le ha añadido un círculo al nombre (“the O represents a circle, infinite and elusive,” the press release noted)
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Alvvays - Alvvays polyvinyl records
@hd27qlof:
Alvvays are two women, three men, a crate of C-86 tapes and a love of jingle-jangle.
Molly Rankin and Kerri MacLellan grew up as next-door neighbours in Cape Breton, lifting fiddles and folk-songs. Heartbreaks of different shades soon entered their lives, as did the music of Teenage Fanclub and Belle & Sebastian. Similar noisy melancholy drifted over to Prince Edward Island, finding Alec O'Hanley, Brian Murphy and Philip MacIsaac.
Convening in Toronto, the group have been making music since dusk or maybe dawn, when stars were appearing or fading off. As a result, their debut self-titled album is both sun-splashed and twilit – nine songs concealing drunkenness, defeat and death in tungsten-tinted pop that glitters like sea glass.
With needlepoint melody and verse, Rankin and O'Hanley's songs were recorded at Chad VanGaalen's Yoko Eno studio and mixed by Graham Walsh (Holy Fuck) and John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile).
Alvvays - Archie, Marry Me > https://www.youtube.com/watch?v=WGRhaFx1Zpw
Alvvays - Adult Diversion > https://www.youtube.com/watch?v=rZHPCcFmEjchttps://mega.co.nz/#!WMtBFSoC!DAkqi63nbxWmJVYlkfeEfjwyIug_pfFKN0522YL5gVo -
"Archie, Marry Me" es temazo serio. A ver qué tal el disco entero. Gracias.
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@Marniello:2kakwbzk:
"Archie, Marry Me" es temazo serio. A ver qué tal el disco entero. Gracias.
Suena muy bien, descargando. Gracias, Pelukini.
Me gusta mucho la portada también.
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Pues sí, bajado con entusiasmo, a ver que tal…
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está chulo el disco de Alvvays, gracias Pelukini.
por cierto, ahora que leo lo del estudio de Chad VanGaalen: él también ha sacado un discazo, aunque parece que no le han hecho mucho caso. a mí es de lo que más me ha gustado este año.
ya se podían pasar ambos por aquí pronto.
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White Fence - For the Recently Found Innocent (2014, Drag City)
Wide fends the big river of anglo-American pop music. All new! Hits to the skies! Ears to the mind! A new classique of LA underworld sunshine sounds and visions. Ultra.
https://www.dropbox.com/s/9sm9rzzxx6md0cn/WF-FtRFI.rar
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Reigning Sound - Shattered (MERGE Records)
https://mega.co.nz/#!rRllyRzJ!YbBJHt20pdCTznHdwgFhsjGk0I7ExL4b9cjr4rbIR1Y -
Qué carajo? Es idea mía o nos ha caído encima una bomba nuclear llena de spam?
-G.
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Que bien Alvvays, espero que caigan en el PS15.
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El de Tom Petty no está por aquí???
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www.NewAlbumReleases.net_Tom_Petty_and_The_Heartbreakers_-_Hypnotic_Eye_2014.rar.html ```no era tan difícil ) -
@FX:1o6e5cp8:
@bruce_billis:1o6e5cp8:
@FX:1o6e5cp8:
shabazz palaces - lese majesty
FX, es un transcode de la versión a 128kbps que rula desde hace una semana por el internet
lo suponía, pero pudo el ansia.
el disco cumple de sobra con las expectativas. aunque no sea una revolución musical, hay mas chicha y es mucho mas variado que "black up".
a ver si se pasan por la península a presentarlo. cuando les venga bien.Shabazz Palaces - Lese Majesty (Sub Pop)
@1o6e5cp8:Come July 29th, after a three year hiatus from the massively confident and genre-redefining debut Black Up, Shabazz Palaces are back with what is arguably (or if you work at Sub Pop, inarguably) the most anticipated record of the year, Lese Majesty. The record’s 18 tracks are grouped into seven suites, creating an experience for listeners that is alarmingly interesting while maintaining artistic cohesion. IT’S VERY GOOD IS WHAT WE’RE SAYING. But don’t take our word for it, listen to the lead off track “They Come In Gold”, of which, Gorilla vs. Bear had this to say:
Here’s the long-awaited first track to be unveiled from Shabazz Palaces‘ lush, dizzyingly brilliant new full-length, Lese Majesty. Not necessarily the most representative track on the new record, “They Come in Gold” kicks off with the kind of diamond-hard beat and ominous flow that made Black Up the best album of 2011, but the comparison with the last record ends there. When taken out of the context of the new album, only the song’s brighter, prismatic second half begins to hint at the impossibly deep, singular astral landscape the group has created on Lese Majesty.
They Come In Gold: https://www.youtube.com/watch?v=nVSSESLaZHQ
http://www35.zippyshare.com/v/65524375/file.html
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