Filtraciones '08

[andtheworldsmileswithyou]

Y el otro también

Esto si que es nuevo

Gang Gang Dance - Saint Dymphna [2008]

@1gobh9uy:

The album, which will appear on Warp in the UK, Europe and Australia will further explore the group's affinity for contemporary dance genres, run through their twisted avant garde vision. On previous efforts, the trio has hinted at its love of grime and dubstep through their sonics, but Saint Dymphna makes it overt, with a collaboration with MC Tinchy Strider and what Sonic Registry—the group's label in the US—is calling "a beat that resembles the omnipresent sound of reggaeton flooding the NYC streets during summer months."

http://www.megaupload.com/?d=BNC7M2ZW
http://www.mediafire.com/?ydrdi1zokdd

[chema s.]

menuda portada… a los que no hemos nacido en new york city y no sabemos qué cosa es eso del arte nos parecerá una gilipollez.

vamos a ver qué tal los gang gang, anda.

[chema s.]

esto sí que es artie.

[tra-la-la]

@chema:

el de sic alps lo filtró andtheworld hace ya tiempo, pero es tan tan tan bueno que el b&b se agradece.

@andtheworldsmileswithyou:2c7q2o14:

Y el otro también

pues vaya, si que he andado poco fino entonces.

@Anonimo:

Lo importante es participar

[Anonimo Fernandez]

Ole Gang Gang Dance!
Gracias andtheworld!
Los dos links? para elegir o que está en dos partes? o que hay 2 cds?

[chema s.]

está entero en ambos enlaces. son 11 cortes. el disco sale por warp en europa.

[Anonimo Fernandez]

@chema:

está entero en ambos enlaces. son 11 cortes. el disco sale por warp en europa.

Ok!
Gracias!

[jösexiu]

gang gang dance, claro que sí

me trae buenos recuerdos de cuando salió el primer disco

¡gracias!

[Mr. Spock]

@jösexiu:3odwohry:

gang gang dance, claro que sí

me trae buenos recuerdos de cuando salió el primer disco

¡gracias!

y lo escuchábamos en la tienda de Green Ufos….

[chema s.]

yo me compré su primer disco en la tienda de greenufos. jamás olvidaré la descripción que rafa lópez me hizo de ellos antes de pagar: 'como bonnie 'prince' billy mezclado con godspeed you! black emperor'. casi ná…

[chema s.]

'princes' debería rapearla mike skinner.

[manel]

Miakela´s Fiend son un jovencísimo duo de Seattle, formado por dos chavales de 17 años que son primos. imaginaos a unos Lighnting Bolt más oscuros y más ruidosos y os acercaríais bastante a Mikaela´s Fiend. un pelotazo de ruido rebotando frenéticamente de un lado a otro.
yo llegué a ellos porque tienen un single compartido con Abe Vigoda y el disco me tiene flipado, la putada es que se han separado.

Mikaela´s Fiend "We Can Driving Machine"

http://www.mediafire.com/?8bpbzx3dzol

[jösexiu]

@Mr.:

@jösexiu:2ry6ewvm:

gang gang dance, claro que sí

me trae buenos recuerdos de cuando salió el primer disco

¡gracias!

y lo escuchábamos en la tienda de Green Ufos….

a eso me refería, y a los días inmediatamente anteriores a su apertura

[suitaloon]

@Kanchelskis:a7j7e9ja:

LAS RUINAS "LECCIONES DE SUBMARINISMO"

@a7j7e9ja:

sonido subterráneo

http://rapidshare.com/files/144491229/Las_Ruinas_-_Lecciones_de_Submarinismo.rar.html

Hombre! Esta es la banda (o propuesta musical, mas bien) de un compatriota amigo mio. Veremos que ha hecho ahora.

[andtheworldsmileswithyou]

The Alps - III (Type, 2008)

@3djljdb2:

Although ‚III’ might be the third album from San Francisco trio The Alps it marks their first studio-based record and a fresh direction for the psychedelic supergroup. Made up of Tarentel mainman Jefre Cantu-Ledesma, ex-Tussle member Alexis Georgopoulos (better known as ARP) and Troll member Scott Hewicker there is a deft amount of skill on display as the three rip through eight tracks of sizzling spiritual bliss. Comparisons here are easy to bring up – Popol Vuh, Ennio Morricone and Serge Gainsbourg spring to mind for starters as the band toss and tangle through thick drum breaks and reverberating sun-drenched guitar lines.

‚III’ feels like a lost soundtrack to some crumbling Italian surrealist classic with its pounding basslines and swirling synthesizers. This is visual music, inspired by the likes of Werner Herzog, Alejandro Jordorowsky and Michaelangelo Antonioni, but what results is far more than a pastiche. Rather the trio have concocted a record which while being aware of its sprawling influences is far more than the sum of its parts. The finest excesses of progressive rock and the leanest intricacies of the psychedelic folk scene have been splashed together with a distinct dusty funk overlook to produce something which is totally out of time. Free from some half baked scene or other this is the result of three musicians doing exactly what they want.

‚III’ has taken a plethora of sounds and crumbled them into something altogether beguiling. From the distant supernaturalism of ‚Trem Fantasma’ to the Terry Riley influenced bliss of ‚Pink Light’ The Alps show us that there’s more to pyschedelia than meets the eye.

http://www.mediafire.com/?yyxl4hn2zss

[jösexiu]

señor Spock: ¿estará usted en unos días en Isla Cristina? Yo sí (gentileza de Falso Cabaret)

[iñigo]

@manel:335rm5e5:

Miakela´s Fiend son un jovencísimo duo de Seattle, formado por dos chavales de 17 años que son primos… la putada es que se han separado.

con 17 años las novias duran cuatro días.

[andtheworldsmileswithyou]

Uff, uno de los discos a los que más ganas tenía:

Boduf Songs - How Shadows Chase The Balance [2008/Kranky]

@3vvjg7vg:

The second full length release from this uk resident follows his Lion Devours the Sun album from late 2006 on kranky. A lot of artists are described as "outsiders" or "underground", but with Mathew Sweet this is actually an apt description as he belongs to no ’scene’ and is working on the farthest fringes of the ’music business’.

On his second full length release, How The Shadows Chase The Balance, Mathew Sweet uses the same formula that he has employed previously; one microphone, one acoustic guitar, a few random instruments, a couple of field recordings, and a deft, understated touch with the mixing process. He locked himself away in his home studio (to be honest, his bedroom) and no one else heard a single note until he was finished.

Musically the album is akin to Iron & Wine/M Ward with the themes of death, alienation, fear, hatred and isolation that are his forte, as well as his affinity for gothic imagery.

If you listen closely you can hear small bits of rain hitting the window, and cars sliding by on wet roads. The final result is one of the most unassuming, and engaging recordings of the year. It is intimate, extremely personal, and spectral in presence.

http://www.mediafire.com/?jypvocb4o4o

[Tambourine]

@andtheworldsmileswithyou:ndk3fm6y:

Uff, uno de los discos a los que más ganas tenía:

Boduf Songs - How Shadows Chase The Balance [2008/Kranky]

Muchas gracias!!!

[Tambourine]

Cold War Kids - Loyalty to Loyalty (2008)

http://rapidshare.com/files/145105330/CWKLTL_Vic.zip

@wubqnlbe:

Just as many were overjoyed to see the Cold War end up in the dustbin of history, so too would certain music fans like to see the Cold War Kids call it a day. The Los Angeles area band's 2006 debut, Robbers & Cowards, seemed to garner the Cold War Kids just as many detractors, if not more, than fans. But the band soldiers on with sophomore set Loyalty to Loyalty, remaning loyal to its regular guy rock sound. Think a watered down National, which many already think of as a watered down Joy Division, which is why many find nothing original to like in this band. Not helping on that front: the songs "Golden Gate Jumpers" and "Welcome to the Occupation." The first mines territory already visited by Sleater-Kinney on that band's song "Jumpers," while the second, although sharing a title with an R.E.M. classic, apparently is not a cover. With all this, it's quite bold that the last track on the album is named "Cryptomnesia," which is a mental disorder in which people attribute others' ideas to themselves.