HIPHOP
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de este año, el Twelve Reasons To Die de Ghostface Killah con Adrian Younge es de lo mejorcito que han hecho Wu-Tang y alrededores en bastante tiempo y hay una versión remezclada/producida por Apollo Brown que mola bastante también: http://soultemplemusic.bandcamp.com/alb ... brown-tape
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el de ghostface killah no me llamaba mucho la atencion pero habra que darle un tiento a ver que tal.
el de ghostpoet no esta mal pero se me hace un poco monotono. lo veo menos imaginativo que en su primer disco y quiza le falte algun tema redondo como habia en aquel, un cash and carry me home, para encandilarme totalmente. si os mola el ultimo y no habeis catado el anterior, ya tardais.
y a lo que venia:
clipping / midcity (self-released, 2013)
@kz3v5if0:
Debut physical release from LA's Clipping, featuring Jonathan Snipes of Captain Ahab and William Hutson of Rale on electronics, with rapper Daveed Diggs fronting the band. Their deep and experienced understanding of both hip hop and harsh noise lets them explore new territories of sound unlike anything you've ever heard.
clipping. are one of those rare groups that not only seize upon a concept from the wider musical milieu, but actually advance it in a meaningful way. Midcity is exciting stuff, not only because forces open the doors even wider for risk-taking and experimentation in hip-hop, but because of the skill and energy that it displays in doing so. The best tracks match the madcap brutality of their beats with a deft, unhinged lyricism that’s every bit as refreshing.http://www.itsclippingbitch.com/
y vamos para bingo! (skuta ya se ha sacado la chorra)
madlib / rock konducta 45 ep (madlib invazion, 2013)
@kz3v5if0:
Limited edition 7-inch single with 5 instrumental hip-hop tracks produced by Madlib. This record is the first release from Madlib’s forthcoming Rock Konducta album, the latest in his Beat Konducta series. Rock Konducta‘s primary inspiration comes from Africa’s vibrant rock scene in the 1970s.
Limited Edition of 500. First released at the Welcome to Zamrock Madlib Medicine Show in San Francisco on June 7th, 2013.
http://www.rappcats.com/madlib-rock-konducta/
hala, me piro a planchar.
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Hola, os digo lo que hay pq lo que escribo aquí va a misa y os ahorro pensar, el bueno de Ghostaface es la versión de Apollo, el de Ghospoet normalito y el de Clipping no me ha parecido nada del otro mundo. Ahora que sabéis la valoración del prueba ya podéis descansar tranquilos. Intentaré hacer una lista de mitad de Agosto para que tengáis una guia de lo que tenéis que escuchar pq os veo un poco perdidos.
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Ilumínanos prueba.
Thanks Bruce. -
Amantes de las atmósferas retorcidas y los beats drogados. 100% recomendable
BOY FROOT
LOOTERS MIXTAPE
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Siddiq
PAID2013
@2b338b1z:This is it, my very first album. Featuring production from myself & good friends David Haney Wavy, Vektroid, Magic Fades & Nmesh, and features from Noah & DTG, PAID2013 is just a description of the summer at hand. It's been a great one to say the least. This also signifies my first time getting into production. This is dedicated to my cousin, Christopher Jackson. Hope you guys enjoy this, as I've enjoyed making it. Franchise.
- Siddiq
*Can't Be Faded Prod. By David Haney Wavy
*Midnight Run [Snippet] Prod. By Vektroid
*Powerline Prod. By Saint Pepsi
*Drill U & Let's Do It '97 Prod. By Magic Fades
*Iceberg $lim, 11:30pm in El Paso, All Bueno, Late Night & More Money | The Race Prod. By Siddiq
*Midnight Run [Snippet] Prod. By Vektroid
*The Next Chapter Prod. By Nmesh -
os dejo unas novedades:
billy woods / dour candy (backwoodz studios, 2013)
@ckn5op7q:
Backwoodz Studioz is excited to announce the July 2nd release of Dour Candy, a collaboration between Brooklyn-based rapper billy woods (formerly of the Super Chron Flight Brothers) and Manhattan producer Blockhead (Ninja Tune, Def Jux). The album is fully produced by Blockhead and sees woods joined on the mic by Aesop Rock, Open Mike Eagle, Elucid, Moka Only and L’Wren. This project comes at an interesting point for both artists; woods is fresh off the success of his critically-acclaimed opus History Will Absolve Me, an incendiary LP that left a heavy footprint on Best Of 2012 lists. For his part, despite a veritable canon of work with Aesop Rock and a series of successful instrumental records, 2013 represents a new direction for Blockhead. “I decided I wanted to do rap albums again and I just reached out to artists that I was a fan of,” he explains. It has already been a busy year for the producer, who just released an album with indie veteran Illogic in April.
http://backwoodzstudioz.com/dour-candy-is-out-now/
homeboy sandman / all that i hold dear (stones throw, 2013)
@ckn5op7q:
All That I Hold Dear is the second in a series of records pairing Homeboy Sandman with a single producer. The previous, Kool Herc: Fertile Crescent, was produced by El RNTC. Producer M Slago handles production on this latest release.
http://www.stonesthrow.com/news/2013/08/homeboy-sandman-all-that-i-hold-dear
prodigy x alchemist / albert einstein (infamous, 2013)
@ckn5op7q:
Northeastern street veteran Prodigy (a member of acclaimed crew Mobb Deep) has once again linked up with heavyweight producer The Alchemist to craft collaborative album, Albert Einstein. A follow-up to their critically-acclaimed debut, Return of The Mac, the 16-track project includes reader-approved singles "Dough Pildin," "Give 'Em Hell," and "YNT." Throughout the set, Prodigy is joined on the mic by such collaborators as Action Bronson, Domo Genesis, Havoc, Raekwon and Roc Marciano. Alchemist handles all production on the album.
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este bien podria ir en otros hilos pero aqui lo dejo:
ras g & the afrikan space program / back on the planet (brainfedder, 2013)
@1r7sxv8w:
Sun Ra once spoke a future where the mere thought of a place would take somebody there. In the past future of today, Ras G explores space and time through his ancient/futuristic music. Dusty, ethereal and bugged out, the Crate Creator's beats bring the past to the future. Back On The Planet, _G's first Brainfeeder release in years, finds the blunted master of the beat guiding his Afrikan Space Program further out than ever.
Since his arrival on the planet, Ras G has called Los Angeles his base. Growing in South Central, _G was tapping into his innate knowledge while having the earthly experience of living in the "ghetto." Gravitating towards the turntables early, _G spent formative years DJing spots like Project Blowed and Five On The Black Hand Side in Leimert Park until his cousin Wolverine introduced him to the SP-1200 and thoughts of production became realities. Equally informed by the looped-up dust of classic boom-bap and the avant-garde esotericism of free jazz, _G began paving his own path in the beats. He cut his teeth in the early days of Low End Theory and in precursor nights like JuJu and Sketchbook. Day long hangouts at record spots like Aaron's (RIP) and Poo Bah's laid the foundation for projects, live experimentations and new experiences. A key pillar in the Los Angeles community, _G is the power-forward of the Brainfeeder crew, down since day one.
http://www.brainfeedersite.com/2013/08/13/ras-g-the-afrikan-space-program-back-on-the-planet/
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os dejo este también por si os habíais quedado con ganas de más. lo cierto es que había ganas de hincarle el diente.
earl sweatshirt / doris (tan cressida/columbia, 2013)
@27fivow9:
Doris comes three years after Earl Sweatshirt's debut mixtape, Earl, introduced the world to one of the most talented and exciting voices in music. During the time that has passed, Earl attended a reform school in Samoa returning with a stronger artistic focus and a more mature outlook on life. To create Doris Earl worked with producers such as Pharell, RZA, BADBADNOTGOOD, Tyler, The Creator, and more while also receiving guest verses from Odd Future cohorts Frank Ocean, Domo Genesis, and Tyler, The Creator as well as LA-based rappers Vince Staples, Casey Veggies, and Mac Miller.
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¡Gracias!
Ayer asistí a un bolo de la sesión angelina Low End Theory en Berlin y fue magnífico. Djs D-Styles, Nobody, Daddy Kev… con mc Nocando. Jugando entre el hip-hop, drum&bass/dub y electrónica variada. Hubo tiempo para 'Collard Greens' y 'Backseat Freestyle' para fardar un poco de ciudad. 8 pavos, 3 euros la cerveza fresquita en su botella y política de fume tantos porros dentro como pueda. No sé si lo colgué, pero aquí pueden escuchar lo último de Nocando:
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El de earl sweatshirt lo estoy disfrutando moderadamente, pero vaya, que no habría estado mal descubrirle un discurso sonoro más específico. No deja de ser un Tyler 2.
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No sé, yo lo he escuchado media docena de veces, a mí me parece un disco flipante, como mínimo a la altura de lo mejor que haya sacado Tyler (el rojo, en mi opinión). Me parece que si una cosa tiene el LP -a pesar de tener muchas colaboraciones y producciones, etc- es cohesión sonora y discurso propio, personalidad.
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A mí para fliparme me falta un poco de efecto sorpresa por decirlo de alguna forma. Por ejemplo el de la chavalilla del colectivo, The Internet, sí tenía algo de eso. Pero está bien. A "Doris" le doy un notable.
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@manel:3udckb5j:
No sé, yo lo he escuchado media docena de veces, a mí me parece un disco flipante, como mínimo a la altura de lo mejor que haya sacado Tyler (el rojo, en mi opinión). Me parece que si una cosa tiene el LP -a pesar de tener muchas colaboraciones y producciones, etc- es cohesión sonora y discurso propio, personalidad.
Hay días en que estamos totalmente de acuerdo. A mi me está poniendo cachondo el disco. Ha hecho lo que le ha dado la gana pero suena a un pepinazo de rap underground, y no a la pataleta de Tyler.
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¿El de ASAP Ferg todavía no circula?
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el de a$sap ferg lleva dando vueltas desde hace días pero cualquiera se pone eso después del de earl. de todas maneras, aquí te lo dejo por si te quieres aventurar.
el de earl es una pasada, me gusta muchísimo más que cualquiera de los de tyler. me parece mucho más creíble, más serio, más seco. propio de un tipo que casi le doblase la edad. más en la línea del de ka que de cualquiera de sus companyeros de crew. además cuenta con tres pepinos, hive, chum y whoa, que ya les gustaría a muchos tener en toda su discografía.
sobre el hype y las críticas, esto es lo que piensa el amigo: I dont give a fuck how this album is gonna be recieved [sic] critically this shit is imperfect and fucking dirty and as scattered as me.
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Bonito disco instrumental que creo que se nos había pasado por alto.
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me acabo de bajar el de ras g sin haber escuchado nada previamente, me he puesto el primer tema y BOOM, me ha estallado el melón. Pinta a discazo. a tope con los technics como ceniceros de blunts.
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Por cierto, no sean tímidos y escuchen a Juicy J.
http://uploaded.net/file/3epe9h9m/www.NewAlbumReleases.net_Juicy%20J%20-%20Stay%20Trippy%20%282013%29.rar
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