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@hansen:2m3c90t2:
@poppie:2m3c90t2:
@hansen:2m3c90t2:
Por cierto el proyecto ese llamado Relaxed Muscle terminó muriendo?
en realidad desapareció antes de publicarse el disco, nunca más se supo
jaja… no lo sabía. Pero llegaron a dar algun concierto, no?... minimo uno, porque a mi me suena que tocaron en la discoteca The Trash de londres (donde erol alkan es residente)... pero bueno que más da... veo que el grupo se quedó como una anecdota como ahora ya es ese cd en mi casa.
se comentó que ese concierto era un playback y era una gente que no eran ellos no?
y sobre el disco de JARVIS no sé, me sorprende gratamente que no sea PULP-ero pero tras dos escuchas me deja un tanto indiferente
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en una primera escucha el disco de jarvis no me apasiona como lo hacia la discografia de pulp, pero vaya que tampoco esta para nada mal…. creo que necesita de varias escuchas...
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The Twilight Singers -A Stitch in Time-EP 2006
hxxp://www.sendspace.com/file/j02xtd_A Stitch in Time
When former Screaming Trees frontman Mark Lanegan recently joined The Twilight Singers for the August leg of their European tour, Kerrang Magazine declared the London show at The Scala felt like "a wickedly illicit hit from a masterfully controlled substance." October 10th 2006 sees that very special chemistry laid down on record with the release of an EP, entitled, A Stitch In Time, out on One Little Indian U.S. exclusively through iTunes.
Leading with the showstopping moment from their recent tour, the hypnotic cover of Massive Attack's "Live With Me" the five track EP not only features the Twilight Singers alongside Lanegan, but guests Joseph Arthur and Rick McCollum from Greg Dulli's former group, The Afghan Whigs. The current issue of SPIN Magazine named "Live With Me" Number 1 on their "Songs You Need To Download Now!" list for this month.
"Live With Me" was one of two new tracks featured on Massive Attack's 2006 greatest hits compilation "Collected". Dulli has long been recognized for bringing eclectic influences to his live performances since his Afghan Whigs days when, as noted by Q Magazine recently, "their sound stirred comparisons of The Rolling Stones circa 1971 fused with Prince". Other tracks on the EP are "Sublime", co-written by Dulli and Joseph Arthur, and featuring Arthur on guest vocals, "Flashback", a cover of New Zealand's finest high-tek soulsters, Fat Freddy's Drop and features Mark Lanegan again on vocals, "They Ride", co-written by Dulli and Rick McCollum, and "The Lure Would Prove Too Much" written by Dulli.
The EP release follows the heavy praise The Twilight Singers received for their latest album, "Powder Burns", and offers a preview to the highly anticipated collaboration between Dulli and Lanegan, who are recording an album under the moniker of The Gutter Twins. Dulli and Lanegan have regularly contributed to each other's projects since 2000. Lanegan was recently shortlisted for a Mercury Music Prize in the UK for his previous collaboration with Isobel Campbell, "Ballad Of The Broken Seas".
Additionally,for the first time since parting company in 2001, former Whigs bandmates John Curley, Rick McCollum and Michael Horrigan recently joined forces again with Dulli to record new tracks for an upcoming Rhino retrospective Unbreakable, at Ardent Studios in Memphis,TN with longtime collaborator Jeff Powell.
It was during the last U.S. tour in support of the release of Powder Burns that the Twilight Singers were first joined by Mark Lanegan at an emotional show at One Eyed Jack's in New Orleans. Both Dulli and Lanegan have strong ties to the city devastated the year before by Hurricane Katrina.
In support of this new release, The Twilight Singers will launch a 20 date U.S. tour beginning in San Francisco at the Great American Music Hall on October 24th with Stars Of Track & Field and Jeff Klein as support. After the final U.S. date in Brooklyn on November 16th, the band will embark upon a 22 date European Tour.
A STITCH IN TIME - TRACK LISTING:
1. Live With Me (featuring Mark Lanegan)
2. Sublime (featuring Joseph Arthur)
3. Flashback (featuring Mark Lanegan)
4. They Ride
5. The Lure Would Prove Too Much_ -
**ARTIST: Mogwai
TITLE: Zidane-A 21st Century Portrait
LABEL: PIAS/Wall Of Sound
GENRE: Soundtrack
BITRATE: ~196kbps VBR mp3
PLAYTIME: 1h 13min total
RELEASE DATE: 2006-10-30
RIP DATE: 2006-10-13Track List
–--------
01. Black Spider 5:04
02. Terrific Speech 2 4:08
03. Wake Up And Go Berserk 4:45
04. Terrific Speech 4:47
05. 7:25 5:13
06. Half Time 6:49
07. I Do Have Weapons 4:16
08. Time And A Half 5:56
09. It Would Have Happened Anyway 2:34
10. Black Spider 2 30:26**http://www.gigasize.com/get.php/111909/MZ.zip -
bajando estoy
gracias otra vez (y van 1000) Harry
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Gracias Harry, Mogwai tocaron el tema que abre el disco para comenzar el bis en su concirto de madrid de ahce 2 semanas,
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Tiene el nuevo de Jarvis suficientes buenos temas como para no haber incluído el de cunts are still running the world?
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@wolfcatala:8dqej93j:
Tiene el nuevo de Jarvis suficientes buenos temas como para no haber incluído el de cunts are still running the world?
de buenas a primeras te diría que no
a mí me pareció también un tema chulo, sigo preguntándome por què desapareció
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Madre mía, cuánto trabajo… veo que Harry no ha descansado en todo el fin de semana.
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http://www.sendspace.com/file/nuzszqHerman Dune - Giant
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Harry! Muchas gracías por lo de Mogwai…
bajado ya... tengo ganas de escucharlo!!!! -
bajando el de Herman, joder, cómo le ha costado
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@poppie:3ot3b809:
@wolfcatala:3ot3b809:
Tiene el nuevo de Jarvis suficientes buenos temas como para no haber incluído el de cunts are still running the world?
de buenas a primeras te diría que no
a mí me pareció también un tema chulo, sigo preguntándome por què desapareció
bueno lo es. tiene sus temas… aunque a mi de momento no hay ninguno que encuentre mejor que cunts
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Las enésimas Gracias, Harry.
Poppie cuanto te tardó el de Herman? Llevo un buen rato esperando
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gracias otra vez harry
a mi el de Jarvis no me parece mal aunque tampoco le he podido dar muchas escuchas, tampoco me ha apetecido mucho volverlo a escuchar. El cd está bien, supongo que merece unas quantas escuchas más. Yo la canción de la que hablais no la escuché…
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@soft:
@poppie:2uruvv14:
@wolfcatala:2uruvv14:
Tiene el nuevo de Jarvis suficientes buenos temas como para no haber incluído el de cunts are still running the world?
de buenas a primeras te diría que no
a mí me pareció también un tema chulo, sigo preguntándome por què desapareció
bueno lo es. tiene sus temas… aunque a mi de momento no hay ninguno que encuentre mejor que cunts
Sí que está, es la pista oculta
Por cierto, gracias Harry!
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@UpStairs:1k2p886c:
Las enésimas Gracias, Harry.
Poppie cuanto te tardó el de Herman? Llevo un buen rato esperando
MMM, PUES UN RATITO
PERO NO MÁS DE UNA HORA
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@eljocielfoc:2z20g3dt:
@soft:
@poppie:2z20g3dt:
@wolfcatala:2z20g3dt:
Tiene el nuevo de Jarvis suficientes buenos temas como para no haber incluído el de cunts are still running the world?
de buenas a primeras te diría que no
a mí me pareció también un tema chulo, sigo preguntándome por què desapareció
bueno lo es. tiene sus temas… aunque a mi de momento no hay ninguno que encuentre mejor que cunts
Sí que está, es la pista oculta
Por cierto, gracias Harry!
os iba a preguntar si era esta pero pa no cagarla me lo he callado… gracias
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pues sinceramente, ni me di cuenta, al ver que eran 34 minutos de tema pensé que se trataba de una pasadita en el ripeo…
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Sophia - 'Technology Won't Save Us' (2006)
_Label: The Flower Shop Recordings (Europe), City Slang (Germany) & Bang! (Belgium)
Formats: CD, CD & LP
Cat. number: FLOWCD 023 & CSLP12
Release Date: 27-Oct-2006Tracks:
1. Technology Won't Save Us
2. Pace
3. Where Are You Now
4. Big City Rot
5. Twilight At The Hotel Moscow
6. Birds
7. Lost (She Believed In Angels…)
8. Weightless
9. P.1/P.2 (Cherry Trees And Debt Collectors)
10. Theme For The May Queen No. 3Technology Won’t Save Us’, the eagerly awaited follow up to 2004’s critically acclaimed ‘People Are Like Seasons’ (City Slang/The Flower Shop Recordings). As a loose collective of musicians assembled by front man and songwriter Robin Proper-Sheppard, SOPHIA were formed after the sudden and tragic death of friend and bass player Jimmy Fernandez and untimely end of his former band, the massively influential The God Machine. Steadily evolving since the stripped down introspective melancholy of their 1996 debut ‘Fixed Water’, ‘The Infinite Circle’ (1998), 2001’s string-accompanied live album ‘De Nachten’ and ‘People Are Like Seasons’ SOPHIA are currently a truly unique proposition, trading in what Drowned In Sound calls ‘considered widescreen brilliance’ and The Daily Telegraph describes as ‘Easily a match for the big, universal songs of Flaming Lips or the Verve… deserves to be massive. Realist romanticism, to be loved long-term…’. Robin describes ‘Technology Won’t Save Us’ as ‘probably the most adventurous album I’ve made so far’ and from the heavily orchestrated opening instrumental track, which shares its name with the album, it’s easy to see why.
Technology Won't Save Us: An instrumental song inspired by the true story of a father and his nine-year-old son that drown together after becoming stranded on the mud flats and sand bars off the Cumbrian coastline of the UK. Disorientated by the fog and quickly rising tides, the father was in constant contact with the rescue team via his mobile phone and although the rescuers were just a few hundred meters away, the raging tide and lack of visibility made it impossible for the pair to be saved. During one of the calls, the son was said to be sitting on his fathers' shoulders and rushing water can be heard in the background…_http://www.sendspace.com/file/lejn2s
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