Fantasmas del pasado: HAUNTOLOGY.
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este se nos habia escapado por aqui:
nmesh / nu.wav hallucinations (amdiscs, 2013)
@303gupsi:
…An 80-minute audio journey, hurled across the neon grids of the vapordelic cosmos - straight into your living room and headphones - Conceived in the back alleys of Hollywood, running through the halls of Bayside High School, and broadcast onto the eerie frequencies of AM radio at 4:00 AM - Becoming a audio-physical manifestation APRIL 19TH, available exclusively on AMDISCS: Futures Reserve Label.
http://amdiscs.com/discography/nmesh-nu-wav-hallucinations/
no he encontrado enlaces así que si alguien da con uno pues ya sabe.
os recomiendo que os deis un garbeo por la web de amdiscs si no lo habéis hecho ya.
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http://www.mediateletipos.net/archives/17887
"El sonido es, en muchos sentidos, una presencia espectral, es la presencia de una ausencia."
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Fans de Dean Blunt y Hype Williams, hace cuarenta años ya existía un amigo que hacía lo mismo, acojonante descubrimiento
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Y lo mejor de todo:
Y luego vendrá alias a rebatirme que este tio sea un jodido jefe con licencia para restregarnos la churra por toda cara. Vengahombre!
Las dos muestras que hay colgadas en concepto son pa cagarse y no limpiarse. Gracias por el toque, manelorro.
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creo que este va a gustar mucho a los residentes del lugar.
spoken word, field recordings, drone, new jewish music, memory collage, disco, jazz, noise, foreign films without subtitles…
zahava seewald & michaël grébil / from my mother's house (sub rosa, 2013)
@2rplqgwe:
Following up on their 2005 Tzadik release Scorched Lips, Zahava Seewald Michaël Grébil have delivered a new collaboration, exploring more intimate spaces. From my Mother's House is haunted from within by a sustained breath that unfolds through Jewish poetry. This work can be experienced like a novel, a piece of prose, a Hörspiel… an introspective form of cinema for the ear.
The music unfolds in layers, like entangled photographic impressions. Field recordings, poems, film quotes, instrumental music, document archives, and concrete sounds are conjured up in a disorganized fashion, on a single plane of existence. Each element contributes to the whole, with the same basic intention: all these worlds coincide and exist in a single space, forming what could be called a sonic Menschmozaik.http://www.subrosa.net/en/catalogue/soundworks/zahava-seewald–michael-grebil.html
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mersi nen
Yo antes iba a poner el de Mark McGuire de Emeralds con uno de Skaters, pero es un ñordo tan grande que no vale la pena -
Siete temas, el primero de 20 minutos
ASSEMBLED FROM TWO SHOWS AT THE CALIFORNIA DESERT in OCTOBER 2012. YUCCA VALLEY outdoor show recorded by Bryce Loy, PAPPY & HARRIET'S indoor show recorded by Derek JamesSun Araw "Two From The Desert: Yucca Valley 2012" [Self-released, 2013]
http://uploaded.net/file/qrryr9wl -
Entrevista Julian House de The Focus Group
http://thequietus.com/articles/12902-gh ... -interview -
Kat Epple & Bob Stohl - Sanctus Spiritus (2013)
@3dnzt4oe:
Another precious find from Andy Votel’s impeccable Dead-Cert imprint, Kat Epple & Bob Stohl made music for Carl Sagan, composed sound pieces for Planetariums and scored nature documentaries in the early 80’s. Operating in Florida from 1978 until Bob’s untimely passing in 1989 at the age of 34, the husband/wife duo were among the first to blend synthesisers and acoustic instrumentation in a home studio equipped with a variety of early synths and instruments.
http://rapidgator.net/file/a4375f8ce024cf2185d9908a3785b350 -
Artículo en dummymag acerca del movimiento vaporwave.
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Interesante recopilación de rarezas y material inédito de Broadcast que he encontrado por los youtube de dios.
https://www.youtube.com/watch?v=2zJLHyC ... 1120DCB1BD
Trish <3
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genia, gracias, skuts!
nuevo video del ruso
http://www.youtube.com/watch?v=uvDzaQOSZ3E -
he puesto en filtraciones los tres Testpressings de Demdike Stare, juntos. Muy recomendables.
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lx sweat / city of sweat (not not fun, 2013)
@1nnlc8j8:
German steamroom wrecking crew LX Sweat returns from a winter of festival dates and self-symbiosis to lay out an impressively realized full-length debut of voidist club fantasia, equal parts Screw bootlegs, slow-jack synth freestyle, and degraded phaser wash. City Of Sweat spirals through a judgement night of a weird codeined lust, luxury hallucinations, overdosed syrup rituals, and long blurry nights stumbling home through alleys in the rain. Like last year’s Sweat Sweat Sweat CS, his new LP siphons certain R&B and Memphis swap-meet structures but stretches them so they sprawl and sag and slide in strange moments, giving the songs a mesmerizing melting quality, like hearing overheated vinyl dissolving into the needle. An entrancing numbed out suite of pleasure-faded electronics by a rare head. Mastered by Prairie Cat. Black vinyl LPs in jackets by L.A. nightstalker Spencer Longo. Edition of 480.
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James Ferraro retoma viejas sendas
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Del que creo que no hemos hablado es de Will Burnett aka INTERNET CLUB, otro de los impulsores de las ecojams, a rebufo de los Ferraro y Lopatin, pero siendo también (al igual que Ramona Vektroid o Chaz Allen) ese perfil de productor anónimo escurridizo que opera desde la habitación de su casa y que inhunda la red de material sonoro y visual de dudosa procedencia, siempre dentro de ese contexto desquiciado de imagineria internetera que mezcla consumismo, nostalgia, resorts, exotismo, páramos ancestrales, estética bedroom, centros comerciales, etc, etc.. Entregado en cuerpo y alma a la causa (autodefine su estilo en su perfil de facebook como vaporterrorism), venerado por las masas de groupies que siguen religiosamente el movimiento y miembro habitual de las ciber-fiestas SPF 420 (http://www.spf420.com/). Entre los akas que se le han podido registrar, aparte de INTERNET CLUB (el que más trascendencia le ha dado): Datavis, DJ Internet Visions, ECCO UNLIMITED, Memorex Dawn, Monument XIII, SunCoast Web Series, ░▒▓新しいデラックスライフ▓▒░ y el que me parece el más interesante de todos (junto a INTERNET CLUB): Wakesleep, que es con el que está despuntando este año, dejando un poco de lado el vaporwave pero sin salirse de las lindes hauntológicas, en la brecha drone, glitch, ambient, etc
https://soundcloud.com/datavis/wakeslee ... tsu-pastel
https://soundcloud.com/datavis/wakeslee ... projection
https://soundcloud.com/datavis/alright
Wakesleep
Not 2 Far Away
-Ailanthus Recordings, 2013-
@pcli3ikl:One of the foremost vaporwave artists is the prolific Will Burnett a.k.a INTERNET CLUB, who has now evolved into Wakesleep. A few weeks ago, Wakesleep released his first album, and boy does it ever make this question of taste and timbre interesting. Like many vaporwave records, not 2 far away relies heavily on repetition, but in this case, the sound sources and timbres are not always readily apparent. It seems that Burnett often takes the smallest sample possible and lets it repeat/warp into oblivion. As a result, the audio becomes completely removed from its original context and these once saccharine sounds become rather austere, sometimes even abrasive. Couple that with some truly startling uses of space and the results sound more like Jim O’Rourke or Toshimaru Nakamura than Macintosh Plus, proving that even the most “outdated” sounds have the potential to jar a listener when slightly altered.
http://ailanthusrecordings.bandcamp.com ... 2-far-away
Todo su material se puede descargar aquí:
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Si alguien da con esto, que avise, que lo cuelgue o algo.
Various Artists
Down to the Silver Sea
Gecophonic -2013-
@vcp5hc84:
Exclusive material from Pye Corner Audio (Howling Moss), Jon Brooks, Moon Wiring Club, Time Attendant and more, housed in a typically gorgeous Gecophonic sleeve with printed inner* Moon Wiring Club's Gecophonic label gathers its gang of eldritch pals - Jon Brooks, Pye Corner Audio, Sarah Angliss, Time Attendant - for a festive jaunt 'Down To The Silver Sea'. Trippier than necking a thermos of mushie tea with Bridlington gypsies, it's a lucidly eloquent soundtrack to the ephemeral English summer and all its wonders… "whether flower pressing in the garden, hallucinating in the summerhouse, fainting inside stifling sites of historical interest… or even sea-cruise thalassophobia complications." Moon Wiring Club crops up twice, opening up with his collaged vignette, 'The Summer Door' and also offering the hazy boom bap of 'Voyages De Plaisir', whilst Pye Corner Audio comes thrice with the bit-crushed bump of 'June Buggy', the lush soundscape of 'Pleasant Stroll', and the barnacled ambience of 'Underneath The Pier', all imagined in his Howling Moss guise. The gang's newest member, Sarah Angliss appears ahead of her Ghost Box debut with some of the most affectively creepy parts, from the layered field recordings and windchimes of 'Hello Sunshine' to the psilocybic swirl and plangent harpsichord of 'Summer's Lease' leaving the most subtle stain on your candy-flossed bonce, Time Attendant's 'Crooked Harbour', 'Holiday Holograph' and 'Lapping It Up At Night' sound like febrile Chris Watson documents, while Jon Brooks hugely impresses with the sun-dazed dream-bop of 'Morgane' as Knö. Proper good this.
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